Find articles | Gus Mitchell

The rising Icelandic piano star made his Proms debut alongside conductor Paavo Järvi and London's Philharmonia Orchestra, in a programme that seamlessly shifted between Classical, Baroque and Modern styles.

In an expertly considered programme, the Berlin-based ensemble brought together classical revolutionaries with modern homage to shine fascinating light on the form.

John Luther Adams piece unfolds with the patience and weight of the geological time, leaving a powerful mark.

Glass and Bowie meet again in the concluding chapter of his Berlin Trilogy symphonies at the Royal Festival Festival

The venerable Russian maestro and Conductor Laureate led the Philharmonia in an all-Russian programme with sensitive charm, youthful fire, and emotional range, with outstanding soloist Esther Yoo.

The LSO Futures season presented a programme of alternately effective, un-engaging and overpowering music at the Barbican.

Kirill Gerstein’s broad pianistic expertise impresses in a mixed programme at Wigmore Hall.

The Vienna Philharmonic perform Mahler’s Ninth Symphony at the Barbican, with deep and urgent commitment under Ádám Fischer.

The Aurora Orchestra performed and supported a teeming program that took in Norwegian/Appalachian folk music, Mahler and a world premiere.

On the 100th eve of the Armistice, Vladimir Jurowsky led the LPO in four radically different meditations on death and eternal life.

A glittering performance of Mason Bates’ recent “concerto for orchestra” was a thrilling journey wedged between pretty good Beethoven.