Bachtrack logo

Sweeney Todd

State Opera (Státní opera)Wilsonova 4, Prague, Central Bohemian Region, 110 00, Tschechien
Datum/Zeit in Prague Zeitzone
Donnerstag 24 September 202619:00
Sonntag 27 September 202619:00
Freitag 02 Oktober 202619:00
Samstag 03 Oktober 202614:00
Samstag 03 Oktober 202619:00
Samstag 10 Oktober 202618:00
Sonntag 11 Oktober 202614:00
Sonntag 11 Oktober 202619:00
Dienstag 13 Oktober 202619:00
Mittwoch 14 Oktober 202619:00
Weitere 3 Veranstaltungsdaten anzeigen
Darsteller
Prague National Theatre Opera
Anna PozidisMusikalische Leitung
Richard HeinMusikalische Leitung
Martin ČičvákRegie
Hans HofferBühnenbild
Georges VafiasKostüme
Jan DörnerLicht
Prague State Opera Orchestra
Prague State Opera Chorus
Prague National Theatre Opera Ballet
Silvia BelákováChoreographie
Eva HartováSopranJohanna Baker
Zuzana KopřivováSopranJohanna Baker
Barbora PernáSopranMrs Lovett (Nellie Lovett)
Lucie HájkováSopranMrs Lovett (Nellie Lovett)
Tamara MorozováSopranMrs Lovett (Nellie Lovett)
Ivo HrachovecBassJudge Turpin
František ZahradníčekBassJudge Turpin
Miloš HorákBassbaritonJudge Turpin
Adam PlachetkaBassbaritonSweeney Todd
Jiří HájekBaritonSweeney Todd
Aleš JenisBaritonSweeney Todd
Daniel KfelířBaritonAnthony Hope
Michal BragagnoloTenorAnthony Hope

In Czech, surtitles in Czech, English

Composed by one of the major figures of 20th-century musical theatre – the creator of 16 musicals and hundreds of songs, who launched his career writing the lyrics for Leonard Bernstein’s West Side Story – it is an iconic work of its genre. SWEENEY TODD: The Demon Barber of Fleet Street is a riveting synthesis of dark humour, horror and melodrama, imbued with brilliant musical irony.

Sondheim unfurls a chilling story of revenge born of injustice, which devours everything human. Victorian London is revealed as a labyrinth of poverty, corruption and hypocrisy, in which law is bent by those possessing power, and justice is the privilege of the select few who can pay for it. Following years of exile after having been falsely convicted and robbed of his family and identity alike, the barber Benjamin Barker, now “Sweeney Todd”, returns to London. His only goal is revenge and punishment. The barber’s razor becomes a tool of “justice”. Todd kills his customers, and with the help of his accomplice, the baker Mrs. Lovett, has their corpses processed into meat pies, which are a culinary sensation much craved by Londoners. Sondheim’s music is extremely variegated, rich in contrast, ranging from bizarrely light numbers through lyrical passages to spectacular ensembles, propelling the story precipitously forward. Humour thrills, tragedy is masked by irony, with the audience constantly wavering between laughter and consternation.

Our production of Sondheim’s musical, conducted by Anna Pozidis and directed by Martin Čičvák, will be performed in Hana Nováková’s Czech translation. The title role has been assigned to the globally renowned singer Adam Plachetka.

Prague National Theatre