| Freitag 23 Oktober 2026 | 19:00 |
| Samstag 24 Oktober 2026 | 19:00 |
| Donnerstag 12 November 2026 | 19:00 |
| Freitag 22 Januar 2027 | 19:00 |
| Vanemuine Ballet | |||
| Aleksandr Bražnik | Musikalische Leitung | Okt 23, 24, Nov 12 | |
| Martin Sildos | Musikalische Leitung, Chorleitung | ||
| Giorgio Madia | Regie, Licht | ||
| Domenico Franchi | Bühnenbild, Kostüme | ||
| Vanemuine Symphony Orchestra | |||
| Vanemuine Opera Chorus | |||
| Kristi Jagodin | Chorleitung | ||
| Toomas Kaldaru | Chorleitung | ||
| Annely Peebo | Mezzosopran | Sylva Varescu | |
| Tamar Nugis | Bariton | Edwin Ronald | |
| Pirjo Jonas | Sopran | Comtesse Stasi | |
| Rasmus Kull | Tenor | Baron Boni Káncsiánu | |
| Oliver Kuusik | Tenor | Feri von Kerekes | |
| Merle Jalakas | Alt | Anhilte | |
| Väino Puura | Bass | Leopold Maria |
The passionate and complicated love story of Count Edwin and the cabaret singer Sylva has captivated many generations. The story centres on two lovers whose marriage is prevented by the pitfalls of social standing. Edwin’s engagement with Countess Stasi is already announced and everything seems lost but then… We love fairytales with happy endings, don’t we?
Beneath the sequins, champagne, and Csárdás rhythms, in Emmerich Kálmán’s enduring operetta Sylva (Die Csárdásfürstin), lies a tale of transformation, exposing themes like class, personal freedom, and societal hypocrisy. Sylva Varescu is no mere cabaret star—she’s a force of nature: independent, dignified, and unapologetically herself.
