| Samstag 17 Oktober 2026 | 19:00 |
| Havryil Sydoryk | Klavier |
| Mattias Heina | Klavier |
| Rasmus Andreas Raide | Klavier |
| Sofia Khvichia | Klavier |
| Peeter Kivistu | Klavier |
| Tiit Tomp | Klavier |
| Madis Sikk | Klavier |
| Mariam Miqeltadze | Klavier |
| Fortunato Salvador García Piquer | Klavier |
| Viola Asoskova | Klavier |
| Tähe-Lee Liiv | Klavier |
Liszt’s “Transcendental Études” represent the advanced mathematics of pianism, challenging even the most technically secure young talents. As Liszt originally composed these works to showcase his own phenomenal abilities, performing them serves as a true test of maturity for a developing pianist, requiring the mastery of both physical demands and complex poetics.
Schumann’s “Kinderszenen” consists of thirteen miniatures, presenting an adult’s poetic reflection on the innocence and dreams of childhood. The movement titles were added later and serve merely as subtle guides from the composer for performance and interpretation.
