Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Helsinki

Ein beklemmendes psychologisches Drama... jedoch lässt die choreographische und musikalische Spannung nach Beginn schnell nach.

Christof Loy ist eine glaubhafte psychologische Durchdringung der Handlung und ihrer Protagonisten gelungen, die in jeder Sekunde aus der Musik heraus empfunden ist.

Finnish National Opera and Ballet’s season opens with an earthy new production of Verdi's perennial favourite, Aida, given a contemporary setting where even the victors suffer. 

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

The Helsinki Philharmonic Orchestra offers up a double-serving of Tchaikovsky, with Hannu Lintu and Daniel Lozakovich, alongside the world premiere of Sauli Zinovjev's First Symphony.

Finnish National Opera premieres an emotionally diffuse interpretation of the Karl Ove Knausgård’s novel The Morning Star, with Swedish libretto by Gunilla Hemming and direction by Thomas de Mallet Burgess. 

Christof Loy’s psychological staging returns to the stage of Finnish National Opera, with Swedish soprano Elisabet Strid compelling in the title role. 

Reija Wäre's Édith Piaf: La vie en rose for Finnish National Ballet has a slight commercial gloss which does not detract from the powerful central roles and memorable performances.

A welcome revival of Javier Torres' condensed version of The Sleeping Beauty with Finnish National Ballet provides challenges for the entire company.

Skilfully drawn characters and excellent dancing make this a great alternative to the plethora of Nutcrackers during the festive season.

Krzysztof Pastor's Dracula offers much in both dance and drama, as well as providing a visual feast.

The traditional end of year performance of Beethoven's Ninth Symphony took on extra significance in this, his 250th anniversary year. 

For any opera house, the production of a new Wagner Ring cycle is a huge undertaking and becomes a mission statement. For Finnish National Opera, its mission is to stage an all-Finnish Ring.

Marco Arturo Marelli's 2012 production lacks mystery but puts a fine Golaud centre stage, while Esa-Pekka Salonen ensures superior musical values in the pit. 

The Mirjam Helin's singer-only jury plump for a polished soprano and youthful baritone in a final concert with no obvious stand-out star. 

Carè, Stundytė and Pursio all shine as singers and actors in an intense, exciting production at the Finnish National Opera.

Starring celebrated heldentenor Klaus Florian Vogt, Kasper Holten's highly-praised production of Korngold's Die tote Stadt for Finnish National Opera is brilliantly revived.

What I have experienced multiple times with Tapiola Sinfonietta and with Pekka Kuusisto, and today with both, is that no matter how high your expectations are, these players will always outperform them.

Tenor Joseph Calleja, conductor Giuliano Carella and the Estonian National Symphony Orchestra presented an interesting choice of repertoire on Monday. The composers were celebrated Italian and French masters of opera, and the programme alternated between overtures for orchestra and arias starring Calleja.

In accordance with clichés about prima donnas, Nigel Kennedy’s concert at the Musiikkitalo in Helsinki starts 15 minutes after the lights have faded away in the hall. The Nigel Kennedy Quintet enters and its leader makes a couple of jokes to break the ice.

If you move in academic, corporate or philanthropic circles, you will certainly have attended speeches and lectures about leadership, or come across relevant literature about it. Well, if you were in the Helsinki Music Center’s Concert Hall at 5pm last Saturday, you’d be sure that attending the previous week’s rehearsals would have saved you the need for leadership books and conferences.