Finde Artikel | Laura Servidei

Lydia Steier stages Strauss’ masterpiece to open Zurich Opera’s first premiere under the new artistic direction – a triumphant success. 

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.

Rossini’s first staged opera, La cambiale di matrimonio, in a spirited production by Laurence Dale, paired with his late work Les soirées musicales in a successful performance.

A production where vocal brilliance battles directorial gimmicks in Pesaro, with a superb cast led by Anastasia Bartoli and Lawrence Brownlee.

After almost 50 years, the Teatro alla Scala presents a new production of Norma, with a great cast, some shadows in the orchestra direction and several failures in the production. 

McVicar’s most successful Ring chapter yet: Siegfried convinces with beautiful imagery and a stellar cast, with Alexander Soddy at the baton.

Davide Livermore creates a successful production of Il ritorno d’Ulisse in patria at the Monteverdi Festival in Cremona, with a great cast led by Mauro Borgioni. 

Cecilia Bartoli and Gianluca Capuano lead a superb performance of Orfeo ed Euridice, in semi-staged form, as a prologue to the Monteverdi Festival in Cremona. 

An exciting gala concert led by Cecilia Bartoli closed the Whitsun Festival in Salzburg, under the expert baton of Gianluca Capuano.

A pasticcio of superb musicianship is the main event at the Venice-themed Whitsun Festival.

Gianluca Capuano leads Les Musiciens du Prince and Il Canto d’Orfeo in a spectacular rendition of Monteverdi’s masterpiece at the Salzburg Whitsun Festival. 

Christophe Rousset leads Les Talens Lyriques and a stellar cast in a superb rendition of Mozart’s first opera seria.

A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose. 

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos. 

Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna. 

With bad-ass punk valkyries and rich in fantasy overtones, Sir David McVicar's La Scala Ring cycle continues. 

La Scala revives Giorgio Strehler’s historic production with a solid cast led by veteran Ambrogio Maestri, under the baton of an inspired Daniele Gatti.

August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.

La Scala presents a new production of Richard Wagner's masterpiece by David McVicar with a superb cast under the considerate baton of Simone Young.

A semi-staged production of Francesca Caccini's sole surviving opera is brought to life in Lausanne, featuring an outstanding cast of specialists in early music.

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in Henry Kupfer's exquisite production. 

Christophe Dumaux shines as Arsamene in Nina Russi’s enjoyable production of Handel’s masterpiece revived at the Opernhaus Zürich under the baton of Enrico Onofri. 

The Accademia at La Scala delivers an outstanding production of Nino Rota’s masterpiece, conducted by Donato Renzetti, leaving the audience with beaming smiles. 

Rossini’s most famous masterpiece returns to Pesaro in Pier Luigi Pizzi’s beloved production, with a solid cast. 

The ROF presents a new production of Ermione, a title not often performed, with a star-studded cast including divo Juan Diego Flórez. 

Rossini’s ill-fated farce finds new life in the intelligent and enjoyable 2019 production by Leiser and Caurier at the Rossini Opera Festival, featuring a great cast under the unwavering baton of Michele Spotti. 

Jessica Pratt leads a strong cast in a beautiful performance of one of Rossini’s unjustly forgotten masterpieces, under the spectacular baton of Roberto Abbado, despite an unremarkable new production by Jean-Louis Grinda. 

アンナ·ネトレプコとローザ·フェオラ、ダヴィデ·リヴァーモアの豪華な舞台で輝く。

Anna Pirozzi and Piero Pretti bring Italian sunshine to Baumgarten’s confused production at the Opernhaus Zürich.

Anna Netrebko and Rosa Feola shine in an extravagant new production by director Davide Livermore. 

Federico Maria Sardelli leads a great cast of specialists in a new production by Fabio Ceresa, perfectly attuned to the Baroque style. 

Gianluca Capuano leads a great ensemble in a thoughtful, emotional reading of Mozart’s Mass in C minor. 

Cecilia Bartoli leads a stellar cast in a silly, but fun divertissement where Mozart’s music shines supreme.

Not so Dolce Vita... Davide Livermore’s fascinating interpretation of Donizetti’s masterpiece doesn’t quite manage to uplift a somewhat disappointing musical performance. 

Mario Martone’s 2011 production, revived this season by Federica Stefani. fairly stands the test of time in Milan. 

Chiara Muti's new production departs from the serene Swiss landscapes of valleys and mountains to depict a gloomy, dystopian world. 

Young conductor Thomas Guggeis makes a rousing debut at La Scala leading a great cast in one of the greatest productions of the 20th century. 

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti. 

Generational shifts as La Scala presents a new production of Simon Boccanegra by Daniele Abbado (son of Claudio), conducted by Lorenzo Viotti (son of Marcello). 

Benjamin Bernheim leads a very good cast in a revival of Tatjana Gürbaca's interesting 2017 production. 

Cherubini’s Médée arrives at La Scala, in French, with a modern, interesting production by Damiano Michieletto, authoritatively conducted by Michele Gamba.