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Sitting in the majestic Carnegie Hall, Orpheus Chamber Orchestra almost looked dwarfed by the sheer size of the stage. Cristi Andrews Cohen’s voice echoed as she recited the poem by Richard Dehmel. But then soft hums emanated from the strings, incessant but quiet at first, slowing building to a larger, richer sound that enveloped the hall.

A happy few: that was how Gabriel Kahane referred to his cohorts on stage at the Galapagos Art Space. But there was more than met the eye to Sunday night’s performance.The curtain opened to reveal the stage at the Galapagos Art Space, and there sat the Orpheus Chamber Orchestra, without a conductor. Truthfully, the effect was strange at first.