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National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008. 

Northern Ballet reaches its half-century with a gala at Leeds Grand Theatre featuring highlights from its "greatest hits".

All the creative contributions of direction, choeography, designs and music come together to achieve a stirring ballet that tells a familar story with great clarity 

A once-in-a-lifetime experience with a perfectly arranged score to a breathtaking film. 

The Italian vocal ensemble Cappella Artemisia, directed by mezzo-soprano Candace Smith, is a chamber group devoted to recovering the rich musical repertoire of the 16th- and 17th-century Italian convents.

Inspired by Dickens’ novel of the same title, Northern Ballet’s piece really captures the essence of Dickensian London at Christmas time. Dickens’ famous renderings of the festive season made much of his work almost synonymous with Christmas. Dickens’ most popular novel, A Christmas Carol redefined the spirit of Christmas as an enduring sense of community and sharing.

The evening was a step back into childhood nostalgia, of getting on the hired coach with my brother and neighbours from our cul-de-sac, to drive up to London for the traditional Christmas pantomime. And, of course, Aladdin with all that mystical eastern magic was always a favourite with us kids.