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New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

Como el musguito en la piedra, ay si, si ,si (Like moss on a stone) is a smorgasbord full of perfectly-formed parcels of mouth-watering food. But a deep sense of poignancy pervades its vibrancy as Pina Bausch died unexpectedly just a few weeks after its premiere in 2009. 

In celebration of the 2012 London Olympic Games, Tanztheater Wuppertal Pina Bausch is in London performing ten different works inspired by places around the world, and last night’s Chile-inspired …como el musguito en la piedra, ay si, si, si… was a polished example of the excellence of the company’s dancers and the genius of Pina Bausch.