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Mary Elizabeth Williams (Abigaille) and Rihan Chaieb (Fenena) © Michael Cooper

Fine music-making redeems dull production in COC’s season opening Nabucco

Von John Gilks, 4. Oktober 2024

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little.

***11

mehr

***11

Toronto

4. Okt. 2024

Fine music-making redeems dull production in COC’s Nabucco

Von John Gilks

Toronto

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Von Michelle Assay, 26. Januar 2024

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

**111

mehr

**111

Toronto

26. Jan. 2024

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Von Michelle Assay

Amina Edris (Mimì) and Pene Pati (Rodolfo) © Michael Cooper

Toronto

They’ll always have Paris: a timeless production of La bohème in Toronto

Von Michelle Assay, 6. Oktober 2023

Canadian Opera Company’s revival of John Caird’s art-infused production is perfectly realised in singing, acting, and the orchestra’s vibrant yet velvety colours.

*****

mehr

*****

Toronto

6. Okt. 2023

They’ll always have Paris: a timeless Bohème in Toronto

Von Michelle Assay

Toronto

Canadian Opera Company’s Magic Flute returns as a well sung whimsical comedy

Von John Gilks, 6. Mai 2022

The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.

***11

mehr

***11

Toronto

6. Mai 2022

COC’s Magic Flute returns as a well sung whimsical comedy

Von John Gilks