En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Charlotte Siegel

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Mary Elizabeth Williams (Abigaille) and Rihan Chaieb (Fenena) © Michael Cooper

Fine music-making redeems dull production in COC’s season opening Nabucco

Par John Gilks, 04 octobre 2024

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little.

***11

Plus d'infos

***11

Toronto

04 oct. 2024

Fine music-making redeems dull production in COC’s Nabucco

Par John Gilks

Toronto

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Par Michelle Assay, 26 janvier 2024

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

**111

Plus d'infos

**111

Toronto

26 janv. 2024

Jamie Manton's Cunning Little Vixen falls flat in Toronto

Par Michelle Assay

Amina Edris (Mimì) and Pene Pati (Rodolfo) © Michael Cooper

Toronto

They’ll always have Paris: a timeless production of La bohème in Toronto

Par Michelle Assay, 06 octobre 2023

Canadian Opera Company’s revival of John Caird’s art-infused production is perfectly realised in singing, acting, and the orchestra’s vibrant yet velvety colours.

*****

Plus d'infos

*****

Toronto

06 oct. 2023

They’ll always have Paris: a timeless Bohème in Toronto

Par Michelle Assay

Toronto

Canadian Opera Company’s Magic Flute returns as a well sung whimsical comedy

Par John Gilks, 06 mai 2022

The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.

***11

Plus d'infos

***11

Toronto

06 mai 2022

COC’s Magic Flute returns as a well sung whimsical comedy

Par John Gilks