Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Peter Gijsbertsen

Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast. 

Daisy Evans' take on Verdi's iconic tale of love stymied by the cruelty of others is characteristically innovative and insightful, while also blessed with a remarkable central performance from Anna Patalong. 

There are no answers, nor indeed many probing questions, in this Scottish Opera revival of Sir David McVicar’s production from 2008, but it is sumptuous and enjoyable.

Eva-Maria Westbroek as Sieglinde was the high point at an opera gala in support of young singers at the Concertgebouw.

This BAM production of Benjamin Britten’s Billy Budd, imported from Glyndebourne, achieves the rare distinction of making a great performance out of a decidedly mediocre work.

The silence at the end of the concert said it all. To have plunged the attention of the entire Royal Albert Hall into utter silence for a whole minute after the music has finished was an impressive feat. Such was the audience response to Mark Padmore’s closing walk down the back of the stage, as Captain Vere.