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Artikel von Jenny Camilleri

Jenny Camilleri
Jenny Camilleri
After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.
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Digging up buried Baroque treasure at the ZaterdagMatinee

Von Jenny Camilleri, 10 Dezember 2021
For more than a decade Andrea Marcon and artistic director Kees Vlaardingerbroek have been presenting rare Baroque operas to the ZaterdagMatinee audiences at the Concertgebouw. Merope by Geminiano Giacomelli is their latest rediscovery. 
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Thomas Oliemans in heartfelt chansons at the Concertgebouw

Von Jenny Camilleri, 08 Juli 2021
Baritone and pianist Thomas Oliemans demonstrated his love of the French chanson accompanied by the richly layered strings of the Amsterdam Sinfonietta.
****1
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Effervescent Italian Baroque from the Academy of Ancient Music

Von Jenny Camilleri, 15 April 2021
The Academy of Ancient Music puts composer Dario Castello in the spotlight and in context in this live stream from the West Road Concert Hall in Cambridge.
****1
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Hungarian State Opera delightfully revamps L’incoronazione di Poppea

Von Jenny Camilleri, 14 März 2021
Monteverdi’s last opera, recomposed by Máté Bella for a modern orchestra and a jazz combo, is an over-the-top, glitzy romp with plenty of casual sex and even more casual violence.
***11
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Mastering the online masterclass with baritone Benjamin Appl

Von Jenny Camilleri, 22 Februar 2021
Online singing masterclasses sound less than ideal, but baritone Benjamin Appl and the Riga Jurmala Academy prove that they can be as fruitful as on-site sessions.
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Young Artists To Watch: Mirjam Mesak – True to her own voice

Von Jenny Camilleri, 14 Dezember 2020
Talented and tenacious, soprano Mirjam Mesak has been making her mark in Munich, where she went through opera boot camp. Now she’s ready to take on the rest of the world.  
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Royal Opera's A New Dark Age is a powerful cantata for our time

Von Jenny Camilleri, 25 Oktober 2020
The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.
***11
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Covid-19 in the Netherlands: rapid shutdown, gradual reopening

Von Jenny Camilleri, 14 September 2020
Jenny Camilleri reports from Amsterdam on the response to the pandemic in the Netherlands, where the 1.5 metre rule is sacred.
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Rotterdam Philharmonic presents a fabulous Frau ohne Schatten

Von Jenny Camilleri, 24 Februar 2020
Orchestra and singers reached great heights in this highly lyrical and dramatically flowing Frau ohne Schatten conducted by Yannick Nézet-Séguin.
*****
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A monolithic Nabucco at Dutch National Opera

Von Jenny Camilleri, 28 Januar 2020
A promising cast on paper is scuppered by a banal, monotonous production and uninspired conducting.
**111
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Rodelinda hits all the marks at Dutch National Opera

Von Jenny Camilleri, 15 Januar 2020
A veritable Baroque bonanza featuring a top-tier cast and orchestra in an emotionally incisive and handsomely crafted production.
*****
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Bartoli and band in killer castrato show at the Concertgebouw

Von Jenny Camilleri, 11 Dezember 2019
Cecilia Bartoli sang arias written (and not written) for Farinelli like a goddess, putting on and taking off a parade of varigendered costumes to the jubilant virtuosity of Les Musiciens du Prince.
*****
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Sublime singing in the Royal Concertgebouw Orchestra’s Scenes from Goethe's Faust

Von Jenny Camilleri, 08 Dezember 2019
Soloists and choir, headed by a spellbinding Christian Gerhaher, brought real lustre to Schumann’s treatment of Goethe’s magnum opus.
****1
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Season opener Pagliacci/Cavalleria Rusticana sets the bar high at Dutch National Opera

Von Jenny Camilleri, 06 September 2019
Exceptional singing, an auspicious conducting debut and a staging that is both sophisticated and emotionally involving make this production an unequivocal winner.
*****
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Pelléas et Mélisande at the Holland Festival: austerely beautiful but flawed

Von Jenny Camilleri, 06 Juni 2019
The credits for this new production directed by Olivier Py raised high expectations that were only partially met on opening night.
***11
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Airborne string players and choral wizardry in aus LICHT Part 3

Von Jenny Camilleri, 03 Juni 2019
In the final instalment of aus LICHT, the Helicopter String Quartet lives up to the publicity hype and choirs perform marvellous feats.
****1
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Hypnotic, diabolical and magical: aus LICHT Part 2, Lucifer & Eve

Von Jenny Camilleri, 02 Juni 2019
The second day of aus LICHT is one mesmerising highlight after another, including the Netherlands Youth and Children’s Choirs in one magical and one sinister procession.
****1
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aus LICHT Part 1: Michael only takes flight in the second half

Von Jenny Camilleri, 01 Juni 2019
The performers in Part 1 of aus LICHT at the Holland Festival are amazing, but the production doesn’t rev up until the Archangel Michael goes on his dizzying world tour.
***11
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Glorious ensembles in Dutch National Opera’s new Tannhäuser

Von Jenny Camilleri, 07 April 2019
Orchestra and chorus reach great Wagnerian heights in this new production by Christof Loy, a study of an artist in revolt against hypocritical sexual mores.
***11
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Perfect symbiosis of words and music in Fin de partie at the Opera Forward Festival

Von Jenny Camilleri, 07 März 2019

György Kurtág’s long awaited opera Fin de partie gets a second run in Amsterdam after its La Scala premiere, with the same excellent cast, conductor and production team.

*****
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