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Stanislas de Barbeyrac (Parsifal) © The Royal Opera | Marc Brenner

Musikalisch vollendete Dystopie: Titov und Hrůšas neuer Parsifal an der Royal Opera

Von David Karlin, 1. Oktober 2026

In der jüngsten Wagner-Inszenierung der Royal Opera in London liefern Jakub Hrůša und das Orchester eine Leistung ab, die in die Annalen eingehen wird, während Evgeny Titov eine intelligent nuancierte Dystopie inszeniert.

*****

mehr

*****

London

1. Okt. 2026

Titov und Hrůšas neuer Parsifal: musikalisch vollendete Dystopie

Von David Karlin

Dublin

Irish National Opera’s new Rusalka intrigues more than it convinces

Von Andrew Larkin, 22. März 2026

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale.

***11

mehr

***11

Dublin

22. März 2026

Irish National Opera’s new Rusalka intrigues more than it convinces

Von Andrew Larkin

Iestyn Morris (Oberon) © Frances Marshall

Lismore

Britten in the Rain: a Dream that charms in parts but lacks cohesion

Von Andrew Larkin, 28. Mai 2025

Rain cannot wash away the charm of Britten’s A Midsummer Night’s Dream at Lismore Castle, a visually clever, if uneven, outdoor staging with moments of real enchantment.

***11

mehr

***11

Lismore

28. Mai 2025

Britten in the Rain: a Dream that charms in parts but lacks cohesion

Von Andrew Larkin

Anne Flanagan (Older Tatyana), Mary McCabe (Tatyana) and Yuriy Yurchuk (Onegin) © Neil Harrison Photography | Northern Ireland Opera

Belfast

Northern Ireland Opera delivers an emotionally engaging Eugene Onegin in Belfast

Von Andrew Larkin, 14. September 2024

Director Cameron Menzies offers a fresh perspective on Tchaikovsky's masterpiece Eugene Onegin in this Northern Ireland Opera production.

***11

mehr

***11

Belfast

14. Sept. 2024

NIO delivers an emotionally engaging Eugene Onegin in Belfast

Von Andrew Larkin

Meili Li (Licida) and ensemble © Ros Kananagh

London

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Von Roy Westbrook, 13. Mai 2024

Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

****1

mehr

****1

London

13. Mai 2024

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Von Roy Westbrook

Dublin

An enjoyable Magic Flute from Irish National Opera

Von Andrew Larkin, 21. Mai 2019

A thoroughly satisfying, entertaining production of Mozart's Die Zauberflöte from Irish National Opera. Anna Devin delivers a delightful Pamina and Nick Pritchard a convincing Tamino.

****1

mehr

****1

Dublin

21. Mai 2019

An enjoyable Magic Flute from Irish National Opera

Von Andrew Larkin

Bradford on Avon

So foul and fair a day: Verdi's Macbeth at Iford

Von Charlotte Valori, 11. Juni 2016

Iford's stone cloister makes a suitably eerie setting for a fine traditional account of Verdi's Macbeth, notable for its powerful male leads, from Iford Festival Opera and the CHROMA Ensemble.

****1

mehr

****1

Bradford on Avon

11. Juni 2016

So foul and fair a day: Verdi's Macbeth at Iford

Von Charlotte Valori

Wexford

Ivory Gothic madness: a visceral Guglielmo Ratcliff in Wexford

Von Mark Pullinger, 22. Oktober 2015

Opportunities to see Mascagni's Guglielmo Ratcliff come few and far between, mainly because the title role is an absolute killer for any tenor mad enough to attempt it. Step forward, Angelo Villari...

*****

mehr

*****

Wexford

22. Okt. 2015

Ivory Gothic madness: a visceral Guglielmo Ratcliff

Von Mark Pullinger