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Mesmerising Akhnaten returns to ENO

Von Mark Pullinger, 11 Februar 2019

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score.

*****

mehr

*****

London

11 Feb 2019

Mesmerising Akhnaten returns to ENO

Von Mark Pullinger

London

Strauss on screen: the OAE presents film adaptation of Der Rosenkavalier

Von Dominic Lowe, 17 Mai 2018

The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.

***11

mehr

***11

London

17 Mai 2018

Strauss on screen: the OAE presents Rosenkavalier

Von Dominic Lowe

London

A persistent meditative state: Glass' Satyagraha at English National Opera

Von David Karlin, 07 Februar 2018

Glass' meditation on Gandhi's principles of non-violent resistance is powerfully treated in Phelim McDermott's virtuosic 2007 staging.

***11

mehr

***11

London

07 Feb 2018

A persistent meditative state: Satyagraha at ENO

Von David Karlin

Birmingham

Porpora's L'Agrippina offers momentary pleasures 300 years on

Von Robert Gainer, 21 September 2017

An opera only ever performed once, over 300 years ago. Would this be a marvellous revival, or a reminder of why it has been neglected all this time?

**111

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**111

Birmingham

21 Sep 2017

Porpora's L'Agrippina offers momentary pleasures

Von Robert Gainer

London

A dusty curio: Handel's Berenice, regina d'Egitto

Von Charlotte Valori, 17 März 2016

A strong cast and fine playing from La Nuova Musica gives Handel's Berenice a reasonably fair outing, but its original plot weaknesses constrain this opera from being anything more than a curio for the Handel connoisseur.

***11

mehr

***11

London

17 Mär 2016

A dusty curio: Handel's Berenice, regina d'Egitto

Von Charlotte Valori