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Missy Mazzoli and Royce Vavrek provide an intriguing allegory for the opioid crisis, performed blisteringly at the Edinburgh International Festival.

Stuart Stratford conducts the world premiere of Fujikura’s opera about Hokusai’s image at Scottish Opera, with Satoshi Miyagi directing with his Japanese creative team.

Hye-Youn Lee and Mario Chang head a strong cast in Barbe and Doucet’s revival of La bohème, which marks the retirement of veteran lighting designer, Guy Simard.

Scottish Opera’s double bill of Trial by Jury and the world premiere of Toby Hession’s fun-packed A Matter of Misconduct! features an ensemble cast, mostly of Emerging Artists. 

With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous. 

Scottish Opera’s Albert Herring is updated to 1990 in Daisy Evans' likeable production, finely sung with a tight ensemble. 

Barbe and Doucet’s witty 1960s Don Pasquale is revived for Scottish Opera, with Stuart Stratford conducting a fine cast. 

Scottish Opera brings an immersive community production to the Edinburgh Festival directed by Roxana Haines, performed in the National Museum of Scotland.

Marx in London! receives its UK premiere in Glasgow, with David Parry conducting the colourful score, and Stephen Barlow directing. 

Sir Thomas Allen returns to Scottish Opera to revive The Barber of Seville with a strong cast headed by Samuel Dale Johnson, Anthony Gregory, David Stout and Simone McIntosh. 

Fine singing from Justina Gringytė, Alok Kumar and Hye-Youn Lee lead a strong supporting cast, with Dane Lam conducting the Scottish Opera Orchestra and Chorus on top form.

Scottish Opera’s 60th birthday present proves a triumph, with outstanding singing from Karen Cargill, Sunyoung Seo, Viktor Antipenko and Roland Wood. 

Scottish Opera’s visually stunning new production is headed by a strong trio of Lauren Fagan, Julieth Lozano and Samantha Hankey. 

Set in the sinister backstreets of Venice, this production from 2013 boasts strong singing all around and brisk, bright conducting by Stuart Stratford.

Dominic Hill brings a touch of the theatre to a finely sung new production of Britten's opera, with Stuart Stratford conducting a driven ensemble.

A semi-staged concert that boasts strong musical performances and appealing production values makes a spirited case for reappraising Gilbert and Sullivan's penultimate collaboration.

Stuart Maunder directs a lavishly costumed cast, Derek Clark conducts fine playing and singing and Isabel Baquero’s choreography sparkles.

David McVicar’s Jacobean-inspired production is a true delight, a finely sung production led by Roland Wood as Verdi's fat knight.

Clever stage touches and great voices are enough to win over even the stoniest of hearts.

Breaking the Waves is a remarkable opera. Scottish Opera has brought a thrilling cast, orchestra and team to Adelaide, and its audiences are all the richer for it.

Scottish Opera’s Nixon in China in a stylish, living history production from John Fulljames, with strong performances across the board, Joana Carneiro stoking the fires in the pit.

Anthony Besch’s trusty Tosca returns to Scottish Opera with Natalya Romaniw packing a punch in the title role. 

Sydney Mancasola gives a towering performance in Scottish Opera's new production by Tom Morris.

Sir Thomas Allen’s crowd-pleasing Magic Flute returns to Scottish Opera in a finely sung performance with Tobias Ringborg drawing period colours from the orchestra.

Stephen Lawless' new production for Scottish Opera and Theater Magdeburg sets the action in the industrial wastelands of Russia. 

Climate change, challenged egos and a strange Ice woman tell a gruesome tale in Anthropocene, a finely sung new opera from Stuart MacRae, with libretto from Louise Welsh, set in the Arctic with a cinematic score.