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A daring double bill from Opera North and Phoenix Dance Theatre pairs Jeanguy Saintus' new choreography for The Rite of Spring with a revival of Christopher Alden's production of Gianni Schicchi. 

Auguin conducted as if he really believes in this evergreen work, which was wonderful to hear in the composer’s rather overlooked anniversary year.

Never has the expression “A good time was had by all” been more accurate than at Tuesday night’s performance Il Barbiere di Siviglia at Centennial Hall in Haverford, Pennsylvania.

Though most of Gaetano Donizetti’s operas are not well known, Donizetti wrote dozens of them – many of the silly variety. L’Elisir d’Amore is one frothy work that not only survived, but continues to be performed around the world – frequently. L’Elisir d’Amore has a formulaic storyline: it’s war time (pick a war, any war). A lonely boy falls for a very pretty girl.

Some operagoers contend that Carmen, the fatalistic gypsy doomed to die, is unlikable. She antagonizes other women at the cigarette factory. She seduces men with abandon. She makes an inexperienced corporal of the guard fall for her, manipulates him into abandoning his military career for a life of smuggling, and then heartlessly turns him out like a pesky stray.