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Handel, two cracking counter-tenors and Renée Fleming were all the excuses needed for a long-overdue trip to New York to hear Stephen Wadsworth's production of Rodelinda - the very piece which revived interest in Handel's opera following its performance in Göttingen in the 1920s.

Read our review of Mary Zimmerman's production of Rossini­'s Armida in its 2010 broadcast from the Met Opera in New York.