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Orchestra and chorus light up Garsington's Eugene Onegin revival

Von David Karlin, 3. Juni 2021

The Philharmonia and Garsington Chorus deliver great performances, as do Natalia Tanasii and Fleur Barron as the two Larina sisters.

***11

mehr

***11

High Wycombe

3. Juni 2021

Orchestra and chorus light up Garsington's Eugene Onegin revival

Von David Karlin

High Wycombe

Mixed emotions: a flawed but interesting Don Giovanni from Garsington Opera

Von Mark Valencia, 30. Mai 2019

As a hybrid of brilliance and disappointment, this Don Giovanni is in a class of its own.

***11

mehr

***11

High Wycombe

30. Mai 2019

A flawed but interesting Don Giovanni from Garsington Opera

Von Mark Valencia

High Wycombe

Light and shade: Garsington Opera’s Pelléas et Mélisande at Wormsley

Von Matthew Rye, 18. Juni 2017

Debussy’s opera of half-lights succeeds in taming the glare of the midsummer sun in Garsington’s new staging.

****1

mehr

****1

High Wycombe

18. Juni 2017

Light and shade: Pelléas et Mélisande at Wormsley

Von Matthew Rye

High Wycombe

Natalya Romaniw's Tatyana the star of a stylish Eugene Onegin at Garsington

Von Mark Pullinger, 3. Juni 2016

Michael Boyd's stylish new production is broadly traditional, apart from beyond-the-grave appearances by Lensky.

****1

mehr

****1

High Wycombe

3. Juni 2016

A stylish Eugene Onegin at Garsington

Von Mark Pullinger

London

Monteverdi's L'Orfeo: The Royal Opera goes Shakespearean at the Roundhouse

Von David Karlin, 13. Januar 2015

Former RSC Artistic Director Michael Boyd imparts a distinctly Shakespearean flavour to Monteverdi's L'Orfeo in this first collaboration between the Royal Opera and the Roundhouse.

****1

mehr

****1

London

13. Jan. 2015

Going Shakespearean at the Roundhouse

Von David Karlin