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High Wycombe

Three card trick: staging, direction and singing compel in Garsington’s Queen of Spades

Von Roy Westbrook, 29. Mai 2025

Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.

****1

mehr

****1

High Wycombe

29. Mai 2025

Three card trick: compelling new Queen of Spades at Garsington

Von Roy Westbrook

High Wycombe

Utterly bewitching Rusalka at Garsington Opera

Von Dominic Lowe, 18. Juni 2022

It's taken two years for Jack Furness' new production of Dvořák's greatest opera to reach the Garsington stage, but it is entirely worth the wait, with a breathtaking performance from Natalya Romaniw in the title role.

*****

mehr

*****

High Wycombe

18. Juni 2022

Utterly bewitching Rusalka at Garsington Opera

Von Dominic Lowe

Glasgow

Theatre meets opera in delightful Midsummer Night’s Dream at Scottish Opera

Von David Smythe, 22. Februar 2022

Dominic Hill brings a touch of the theatre to a finely sung new production of Britten's opera, with Stuart Stratford conducting a driven ensemble.

*****

mehr

*****

Glasgow

22. Feb. 2022

A delightful Midsummer Night’s Dream at Scottish Opera

Von David Smythe

High Wycombe

Orchestra and chorus light up Garsington's Eugene Onegin revival

Von David Karlin, 3. Juni 2021

The Philharmonia and Garsington Chorus deliver great performances, as do Natalia Tanasii and Fleur Barron as the two Larina sisters.

***11

mehr

***11

High Wycombe

3. Juni 2021

Orchestra and chorus light up Garsington's Eugene Onegin revival

Von David Karlin

London

At Wilton’s Music Hall, a ghost light for Britten’s ghost story

Von Mark Pullinger, 26. Januar 2021

When the pandemic struck and theatres were locked down, OperaGlass Works' staging of The Turn of the Screw was an early casualty. Creative thinking turned the production into a film, with London's oldest music hall the set.

****1

mehr

****1

London

26. Jan. 2021

At Wilton’s Music Hall, a ghost light for Britten’s ghost story

Von Mark Pullinger

High Wycombe

Mixed emotions: a flawed but interesting Don Giovanni from Garsington Opera

Von Mark Valencia, 30. Mai 2019

As a hybrid of brilliance and disappointment, this Don Giovanni is in a class of its own.

***11

mehr

***11

High Wycombe

30. Mai 2019

A flawed but interesting Don Giovanni from Garsington Opera

Von Mark Valencia

London

Devilishly good fun at OperaGlass Works' The Rake's Progress

Von Benjamin Poore, 17. November 2017

A compelling and energetic debut production from a new opera company in the raddled surroundings of Wilton's Music Hall.

****1

mehr

****1

London

17. Nov. 2017

Devilishly good fun: The Rake's Progress

Von Benjamin Poore

High Wycombe

Light and shade: Garsington Opera’s Pelléas et Mélisande at Wormsley

Von Matthew Rye, 18. Juni 2017

Debussy’s opera of half-lights succeeds in taming the glare of the midsummer sun in Garsington’s new staging.

****1

mehr

****1

High Wycombe

18. Juni 2017

Light and shade: Pelléas et Mélisande at Wormsley

Von Matthew Rye

High Wycombe

Natalya Romaniw's Tatyana the star of a stylish Eugene Onegin at Garsington

Von Mark Pullinger, 3. Juni 2016

Michael Boyd's stylish new production is broadly traditional, apart from beyond-the-grave appearances by Lensky.

****1

mehr

****1

High Wycombe

3. Juni 2016

A stylish Eugene Onegin at Garsington

Von Mark Pullinger

London

Monteverdi's L'Orfeo: The Royal Opera goes Shakespearean at the Roundhouse

Von David Karlin, 13. Januar 2015

Former RSC Artistic Director Michael Boyd imparts a distinctly Shakespearean flavour to Monteverdi's L'Orfeo in this first collaboration between the Royal Opera and the Roundhouse.

****1

mehr

****1

London

13. Jan. 2015

Going Shakespearean at the Roundhouse

Von David Karlin