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NYCB's tribute to Stravinsky and Balanchine continues

Von Ivy Lin, 10 Mai 2022

A Greek-themed triple bill is presented with mixed success, although Agon still stands up well, with Unity Phelan making her debut in the central pas de deux.

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New York City

10 Mai 2022

NYCB's tribute to Stravinsky and Balanchine continues

Von Ivy Lin

New York City

New York City Ballet's Spring Gala: a sign of normality returning

Von Ivy Lin, 06 Mai 2021

Sofia Coppola's film closed on a note of optimism. The message seemed to be: “Normality is just around the corner. We’re coming back.”

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New York City

06 Mai 2021

New York City Ballet's Spring Gala: a sign of normality returning

Von Ivy Lin

New York City

Dreamy Midsummer ends NYCB's spring season

Von Ivy Lin, 31 Mai 2019

Yet the audience loved it, just as they love every performance of A Midsummer's Night DreamI've ever attended. This ballet is a tribute to Shakespeare, a tribute to love, a tribute to dance. One walks out feeling as if one's "soul is in the sky."

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New York City

31 Mai 2019

Dreamy Midsummer ends NYCB's spring season

Von Ivy Lin

New York City

Romeo + Juliet at New York City Ballet, Truncated but Still Trenchant

Von Andrew Blackmore-Dobbyn, 17 Februar 2018

Tiler Peck is at her peak as an artist and let’s hope it lasts a long time.

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New York City

17 Feb 2018

NYCB: Romeo + Juliet

Von Andrew Blackmore-Dobbyn

New York City

Love Song Waltzes, Water Nymphs, and a Fusillade of Virtuosity from New York City Ballet

Von Carla Escoda, 01 Oktober 2015

The double bill of Liebeslieder Walzer and Tschaikovsky Suite No. 3 is a cloying juxtaposition that serves neither well at New York City Ballet. A handful of fascinating performances rescue the evening.

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New York City

01 Okt 2015

Ill pairing in an all Balanchine program at NYCB

Von Carla Escoda