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Aa fitting tribute to the 20th anniversary of State Opera of South Australia’s ongoing romance with the music of Richard Wagner.

A spirited account of Verdi's early opera in its first professional UK staging, nowhere near as “ugly” as Verdi would have had us believe. 

A searing, edge-of-your-seat spinetingler from Elijah Moshinsky makes the strongest possible case for Verdi's first Macbeth, ideally suited to the proportions of Buxton's beautiful Opera House.

This vibrant Tosca came together beautifully, melding the rich rawness of the evil Scarpia, the emerging maturity of the passionate Tosca and the poetic artistry of the victimised Cavaradossi.

Bruno Ravella’s revival of David McVicar’s production of Faust, doing the rounds of Australia’s major opera companies, is currently inspiring Adelaidians with masterful performances by State Opera of South Australia.

Verdi's rarely-performed early masterpiece gets a succinct, powerful outing in top class style at Buxton. 

In his wonderful BBC series on Italian opera, Antonio Pappano declared that "Puccini does love like no other composer," a phrase I've also heard from others.