Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Clemente Antonio Daliotti

Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season. 

An impressive revival of Filippo Crivelli's 1998 production of Il barbiere di Siviglia, with a lively cast in Naples.