Klassische Musik, Oper, Ballett und Tanz in Naples, Italien

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Veranstaltungen zu klassischer Musik, Oper, Ballett und Tanz finden

Veranstaltungstippsmehr...

NaplesLa traviata

Teatro di San Carlo, Sep 20 20:00, Sep 21 19:00, Sep 22 17:00, Sep 24 20:00, Sep 25 18:00, Sep 26 18:00, Sep 27 20:00, Okt 01 20:00, Okt 02 18:00, Okt 03 18:00, Okt 04 20:00, Okt 05 19:00

Verdi: La traviata

Stefano Ranzani; Lorenzo Amato; San Carlo Theatre; Ezio Frigerio; Franca Squarciapino; Maria Grazia Schiavo; Claudia Pavone

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NaplesA Midsummer Night's Dream

Teatro di San Carlo, Fr 18 Okt um 20:00

Mendelssohn Bartholdy: A Midsummer Night's Dream

Patrice Bart; Corpo di Ballo del Teatro di San Carlo; Pietro Borgonovo; Friedemann Vogel

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NaplesErmioneNew production

Teatro di San Carlo, Nov 07 20:00, Nov 09 19:00, Nov 10 17:00, Nov 12 20:00

Rossini: Ermione

Alessandro De Marchi; Jacopo Spirei; San Carlo Theatre; Nikolaus Webern; Carmen Giannattasio; Arianna Vendittelli; Teresa Iervolino

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NaplesPagliacci

Teatro di San Carlo, Nov 20 20:00, Nov 21 18:00, Nov 22 20:00, Nov 23 19:00, Nov 24 17:00, Nov 26 20:00

Leoncavallo: Pagliacci

Jordi Bernàcer; Daniele Finzi Pasca; San Carlo Theatre; Hugo Gargiulo; Giovanna Buzzi; Eleonora Buratto; Antonello Palombi

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Neue Kritikenmehr...

Piety and violence in San Carlo's Cavalleria rusticana

Marcelo Álvarez (Turiddu) and Violeta Urmana (Santuzza) © Luciano Romano

Lorenzo Fiorito, 06 Jul

Notwithstanding director Pippo Delbono's narcissistic excesses, his staging confirmed itself as effective and penetrating.

****1

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A sophisticated new Butterfly directed by Ferzan Ozpetek in Naples

Evgenia Muraveva (Cio-Cio-San) © Luciano Romano

Lorenzo Fiorito, 16 Apr

Turkish-Italian director Ferzan Ozpetek stages this new production of Madama Butterfly at Teatro San Carlo in Naples with a fine, penetrating approach.

***11

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The Tales of Hoffmann are beautifully told in Naples

The Tales of Hoffmann at Teatro di San Carlo © Francesco Squeglia

Lorenzo Fiorito, 17 Mär

One of Teatro San Carlo’s most cherished productions of recent years, with an excellent cast of singers and a director who steered at his ease into the libretto’s erratic changes of mood and atmosphere.

*****

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