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English National Ballet dancers in The Nutcracker © Laurent Liotardo

ENB's Nutcracker shows real strength throughout the ranks

Von Deborah Weiss, 15. Dezember 2022

Wayne Eagling's production for English National Ballet does not show any signs of waning popularity... audiences still want their yearly fix!

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***11

London

15. Dez. 2022

ENB's Nutcracker shows real strength throughout the ranks

Von Deborah Weiss

Emily Suzuki and Fernando Carratalá Coloma in Mats Ek's The Rite of Spring © Laurent Liotardo

London

A new Mats Ek Rite of Spring provides a leaving gift for ENB's Tamara Rojo

Von Graham Watts, 9. November 2022

Ek's second, very different take on Stravinsky's Rite crowns an English National Ballet triple bill extolling the pure joy of dance and exposing the terror of forced marriage.

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London

9. Nov. 2022

A new Mats Ek Rite of Spring a leaving gift for ENB's Tamara Rojo

Von Graham Watts

London

Tamara Rojo's Raymonda: a thrilling legacy bestowed upon English National Ballet

Von Sarah Kirkup, 20. Januar 2022

Petipa's classical choreography and Glazunov's ravishing score fuse with a reimagined narrative and bold choreographic additions to create a new Raymonda for the 21st century.

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London

20. Jan. 2022

Tamara Rojo's Raymonda: a thrilling legacy bestowed upon ENB

Von Sarah Kirkup

London

English National Ballet's latest double bill is an unusual pairing

Von Erin Whitcroft, 9. Januar 2018

ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth.

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****1

London

9. Jan. 2018

ENB: Song of the Earth /La Sylphide

Von Erin Whitcroft