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Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.

La comprensión errónea del oratorio Theodora enturbia una, por lo demás, excelente producción de Katie Mitchell.

Angela Brower steals the crown in the final instalment of Jetske Mijnssen’s Donizetti trilogy with a voice of apparently limitless emotional range. 

The refurbished Beacon stages a world premiere of a large choral work which imbues complete empathy for one migrant and his story.

Inspiration eludes the director as a new staging of Saint-Säens’ biblical epic falls flat but for some excellent musical performances led by outstanding mezzo Elīna Garanča. 

Superb singing from Joyce DiDonato and Jakub Józef Orliński lights up a curate's egg staging from Katie Mitchell.

It’s the title character who gets the best tunes in Ariodante and Irish mezzo-soprano Paula Murrihy ate them up. 

The young singers spin any raw material into opera gold, sending the audience home as uplifted as if they’d just glugged a bellyful of Pimm’s.

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one.