Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Matthew Cairns

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Sasha Cooke (Carmen) and Christian Pursell (Escamillo) © Sunny Martini

Sasha Cooke brings sharp intelligence to Seattle Opera’s Caribbean-tinged Carmen

Von Thomas May, 8. Mai 2026

Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.

****1

mehr

****1

Seattle

8. Mai 2026

Sasha Cooke brings sharp intelligence to Seattle Opera’s Carmen

Von Thomas May

Toronto

Canadian Opera Company triumphs with Kentridge’s brilliantly conceived Wozzeck

Von John Gilks, 25. April 2025

William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.

*****

mehr

*****

Toronto

25. Apr. 2025

COC triumphs with Kentridge’s brilliantly conceived Wozzeck

Von John Gilks

Paris

Le cours de L’Or du Rhin dévisse à l’Opéra de Paris

Von Erwan Gentric, 29. Januar 2025

Très attendue depuis son annulation pour cause de Covid-19, la Tétralogie selon Calixto Bieito déçoit grandement pour son premier épisode, et ni la fosse ni la distribution vocale ne compensent cet échec.

**111

mehr

**111

Paris

29. Jan. 2025

Le cours de L’Or du Rhin dévisse à l’Opéra de Paris

Von Erwan Gentric

Mary Elizabeth Williams (Abigaille) and Rihan Chaieb (Fenena) © Michael Cooper

Toronto

Fine music-making redeems dull production in COC’s season opening Nabucco

Von John Gilks, 4. Oktober 2024

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little.

***11

mehr

***11

Toronto

4. Okt. 2024

Fine music-making redeems dull production in COC’s Nabucco

Von John Gilks

Toronto

McVicar's grim and creepy Macbeth impresses at Canadian Opera Company

Von John Gilks, 28. April 2023

Sir David McVicar's grim and creepy take on Verdi's Macbeth, backed up by brilliant conducting from Speranza Scappucci and a fine performance of the title role by Quinn Kelsey, is the best thing seen at the COC since lockdown.

****1

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****1

Toronto

28. Apr. 2023

McVicar's grim and creepy Macbeth impresses at Canadian Opera Company

Von John Gilks

Toronto

Canadian Opera Company’s Magic Flute returns as a well sung whimsical comedy

Von John Gilks, 6. Mai 2022

The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.

***11

mehr

***11

Toronto

6. Mai 2022

COC’s Magic Flute returns as a well sung whimsical comedy

Von John Gilks

Toronto

Canadian Opera Company returns to live performance with a beautifully sung Traviata

Von John Gilks, 23. April 2022

Young Egyptian-New Zealand soprano Amina Edris makes a great impression in a revival of Arin Arbus’ strong 2015 production.

****1

mehr

****1

Toronto

23. Apr. 2022

COC returns to live performance with beautifully sung Traviata

Von John Gilks