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Tiler Peck’s Symphonie Espagnole for NYCB is like Marty Supreme: sprawling and ambitious

Von Ivy Lin, 09 Mai 2026

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

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***11

New York City

09 Mai 2026

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Von Ivy Lin

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Melbourne

The Australian Ballet in Melbourne: three prismatic worlds

Von Ruth Ridgway, 04 Oktober 2025

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

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****1

Melbourne

04 Okt 2025

The Australian Ballet in Melbourne: three prismatic worlds

Von Ruth Ridgway

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New York City

NYCB's Contemporary Choreography marred by middle pieces

Von Ivy Lin, 14 Mai 2024

Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.

***11

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***11

New York City

14 Mai 2024

NYCB's Contemporary Choreography marred by middle pieces

Von Ivy Lin

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New York City

Ratmansky’s Solitude illuminates wartime tragedy

Von Carla Escoda, 15 Februar 2024

Alexei Ratmansky’s poignant and gripping new work breaks ground at New York City Ballet in a powerful triple bill.

*****

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*****

New York City

15 Feb 2024

Ratmansky’s Solitude illuminates wartime tragedy

Von Carla Escoda

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New York City

New York City Ballet Goes Four for Four

Von Carla Escoda, 09 Februar 2024

One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.

****1

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****1

New York City

09 Feb 2024

New York City Ballet Goes Four for Four

Von Carla Escoda