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Alison Langer (Rosalinde) and Thomas Atkins (Eisenstein) © Craig Fuller

Fun, if not quite fizzy: Liam Steel’s Opera Holland Park Fledermaus

Von Eleanor Knight, 29 Juli 2026

It's New Year’s Eve 1929-style, but the Champagne is a touch warm in OHP's first production of Strauss’ most popular operetta, Die Fledermaus.

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London

29 Jul 2026

Fun, if not quite fizzy: Liam Steel’s Opera Holland Park Fledermaus

Von Eleanor Knight

London

Trapped in a vice: a terrific double-bill of Il segreto di Susanna and Pagliacci at Opera Holland Park

Von Dominic Lowe, 17 Juli 2024

Joining OHP's 2019 production of Wolf-Ferrari's charming domestic comedy, a blazing new production of Pagliacci delivers everything that one could want from Leoncavallo's infamous opera.

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London

17 Jul 2024

Trapped in a vice: Il segreto di Susanna and Pagliacci at OHP

Von Dominic Lowe

Opera Holland Park Chorus © Craig Fuller

London

Potential but problems in Cecilia Stinton's Rigoletto for Opera Holland Park

Von David Karlin, 30 Mai 2023

A standout performance by Alison Langer as Gilda lights up an Opera Holland Park season opener marred by illness.

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London

30 Mai 2023

Potential but problems in Holland Park’s new Rigoletto

Von David Karlin

London

Carmen straight, with a slice of lemon, at Opera Holland Park

Von Stephen Pritchard, 02 Juni 2022

Quality singing in Cecilia Stinton's new staging comes from touchingly ardent soprano Alison Langer, as Micaëla.

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London

02 Jun 2022

Carmen straight, with a slice of lemon, at Opera Holland Park

Von Stephen Pritchard

London

Un ballo in maschera showcases Opera Holland Park at its best

Von Mark Valencia, 08 Juni 2019

Gaitanou’s direction of the singers is so exact that it becomes impossible to separate them from their characters.

*****

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*****

London

08 Jun 2019

Un ballo in maschera showcases Opera Holland Park at its best

Von Mark Valencia

London

Save room for seconds: I pazzi per progetto & The Dancing Master

Von Charlotte Valori, 02 März 2015

In this double bill, we get a violently enthusiastic little farce from Donizetti which, though fiery, is definitely not his best work; but next, we are treated to the revival of a brilliant, beautiful one-act opera by Malcolm Arnold.

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London

02 Mär 2015

Save room for seconds at Guildhall

Von Charlotte Valori