Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Anna Morrissey

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Emilia Blossom Ostroumoff (Flora) and Phoenix Matthews (Miles) © RBO | Mihaela Bodlovic

London

Darkness and denial: The Turn of the Screw at the Royal Opera House

Von Eleanor Knight, 26 März 2026

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

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*****

London

26 Mär 2026

The Turn of the Screw at RBO Linbury: Darkness and denial

Von Eleanor Knight

George Petean (Rigoletto) © RBO 2026 | Marc Brenner

London

Sir Mark Elder leads a riveting Rigoletto revival at the Royal Opera House

Von Dominic Lowe, 25 März 2026

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

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****1

London

25 Mär 2026

A riveting Rigoletto revival at the Royal Opera House

Von Dominic Lowe

Anna Netrebko (Tosca) and Gerald Finley (Scarpia) © The Royal Opera | Marc Brenner

London

A new Tosca from The Royal Opera: Anna Netrebko returns, with a vengeance

Von David Karlin, 11 September 2025

Oliver Mears' new staging impresses and Jakub Hrůša's first season as Music Director excites interest. But the evening belongs to Anna Netrebko.

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London

11 Sep 2025

Tosca from The Royal Opera: Netrebko returns, with a vengeance

Von David Karlin

Allan Clayton (Jephtha) © ROH | Marc Brenner

London

Handel’s Jephtha at The Royal Opera: magnificent singing, but short on dramatic punch

Von David Karlin, 08 November 2023

Handel's last oratorio is stylishly set in the composer’s era, with an all-star cast of Handelian singers who give their all.

***11

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***11

London

08 Nov 2023

Jephtha at the ROH: magnificent singing, but short on dramatic punch

Von David Karlin

Agathe Rousselle (Blake) © ROH | Camilla Greenwell

London

Never judge an album by its cover: Last Days premieres at the Linbury Theatre

Von Mark Valencia, 07 Oktober 2022

Oliver Leith's opera is inspired by the death of Nirvana front man Kurt Cobain and it turns out to be a mesmerising, fulfilling creation.

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London

07 Okt 2022

Never judge an album by its cover: Last Days premieres at the ROH

Von Mark Valencia

Market Harborough

Magic from the pit in Nevill Holt Opera’s A Midsummer Night’s Dream

Von Mark Pullinger, 12 Juni 2019

Despite the excellent playing of the Britten Sinfonia, Anna Morrissey’s flawed production disappoints.

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***11

Market Harborough

12 Jun 2019

Magic from the pit in Nevill Holt’s Dream

Von Mark Pullinger

Cardiff

Razor sharp: a bloody Sweeney Todd at Welsh National Opera

Von Simon Rees, 08 Oktober 2015

Sondheim's Sweeney Todd seen and heard as it is: one of the greatest late-20th-century operas.

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Cardiff

08 Okt 2015

Razor sharp: a bloody Sweeney Todd at WNO

Von Simon Rees