Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Gemma Summerfield

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Dame Sarah Connolly and Gemma Summerfield © The Hallé | Riley Bramley-Dymond

Elder's era-defining Elgar marathon with The Hallé closes with The Kingdom

Von Rohan Shotton, 11. Juni 2023

Few musicians in the world can ever have had such a strong connection to a composer as The Hallé and Elder have developed with Elgar over the last quarter of a century.

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Manchester

11. Juni 2023

Elder's era-defining Elgar marathon closes with The Kingdom

Von Rohan Shotton

Strasbourg

Le Così couci-couça de David Hermann et Duncan Ward à Strasbourg

Von Romain Daroles, 14. April 2022

David Hermann a la bonne idée d'inscrire l'opéra mozartien au temps des crises majeures du premier XXe siècle, mais la machine à jouer finit par tourner à vide et la distribution peine à s'épanouir.

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Strasbourg

14. Apr. 2022

Le Così couci-couça de David Hermann et Duncan Ward à Strasbourg

Von Romain Daroles

Edinburgh

Scottish Opera’s Falstaff delights at the Edinburgh International Festival

Von David Smythe, 8. August 2021

David McVicar’s Jacobean-inspired production is a true delight, a finely sung production led by Roland Wood as Verdi's fat knight.

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Edinburgh

8. Aug. 2021

Scottish Opera’s Falstaff delights at the EIF

Von David Smythe

Glasgow

Stovepipe hats are back: Scottish Opera’s steampunk Magic Flute returns

Von David Smythe, 4. Mai 2019

Sir Thomas Allen’s crowd-pleasing Magic Flute returns to Scottish Opera in a finely sung performance with Tobias Ringborg drawing period colours from the orchestra.

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Glasgow

4. Mai 2019

Scottish Opera’s steampunk Magic Flute returns

Von David Smythe

Wexford

William Bolcom's Dinner at Eight served up at Wexford Festival Opera

Von Pia Maltri, 20. Oktober 2018

Dinner at Eight, William Bolcom and librettist Mark Campbell's 2017 opera, had its European première at Wexford Festival Opera on Saturday under conductor David Agler. The opera is based on the 1932 play by George S Kaufman and Edna Ferber, in turn adapted into a movie by George Cukor (1933).

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Wexford

20. Okt. 2018

Bolcom's Dinner at Eight served up at Wexford

Von Pia Maltri

Geneva

L'Orchestre de Chambre de Lausanne à Genève : un Martinů roboratif, un Beethoveen qui laisse sur sa faim

Von Thomas Muller, 3. Mai 2018

L’Orchestre de Chambre de Lausanne de passage en terres genevoises aura offert un bien lumineux Concerto pour deux orchestres de Bohuslav Martinů.

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Geneva

3. Mai 2018

L'Orchestre de Chambre de Lausanne à Genève

Von Thomas Muller

London

Die Schuldigkeit des ersten Gebots gets a rare outing from Classical Opera

Von Dominic Lowe, 21. März 2017

Mozart's first stage work was written when he was just eleven years old; in this performance by Classical Opera, the composer's youthful writing and touches of humour are brought to life by a solid cast and lively conducting.

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London

21. März 2017

Early Mozart from Classical Opera

Von Dominic Lowe

London

Mixed verdict: Jommelli's Vologeso thrown to the lions

Von Mark Pullinger, 28. April 2016

A concert performance wasn't perhaps the best way to make a case for Jommelli's Il Vologeso, presented as part of Classical Opera's Mozart 250 series.

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London

28. Apr. 2016

Jommelli's Vologeso thrown to the lions

Von Mark Pullinger

London

Ariodante at the RCM: in which technique is not enough

Von David Karlin, 8. März 2016

An impressive display of singing technique isn't enough to make RCM's Ariodante connect with hearts and minds.

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London

8. März 2016

Ariodante at the RCM: in which technique is not enough

Von David Karlin

London

Peaches and Cream: A frothy Fledermaus at the Royal College of Music

Von Dominic Lowe, 23. November 2015

An energetic performance of Johann Strauss' Die Fledermaus, showcased both the work and some very fine young singers.

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London

23. Nov. 2015

Peaches and Cream: A frothy Fledermaus

Von Dominic Lowe