Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Irish National Opera Chorus

Enda Walsh und Donnacha Dennehy ziehen die Zuschauer des Opera Forward Festivals mit ihrer Oper in ihren Bann.

Donizetti heads West in Cal McCrystal's riotous, laugh-out-loud L'elisir d’amore, where dazzling singing meets cowboy capers in a gloriously zany production for Irish National Opera. 

Ireland’s first Wagner opera in over a decade dazzles with a captivating production by Rachael Hewer for Irish National Opera. 

Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre. 

Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production. 

Orpha Phelan directs a terrific cast of singers in an inventive and faithful production making for an evening to remember. 

Jack Furness turns Faust into an Oppenheimer-type scientist in a powerful, well-sung staging in Dublin's Gaiety Theatre. 

Polly Graham's take on Mozart's Così fan tutte is full of humour and political commentary, while the singing is a joy to hear. 

Chavaz's post-modern mythological approach to Rossini's neglected opera Guillaume Tell pays off with some glorious singing from the principals and the INO Chorus. 

Tara Erraught stars as the eponymous heroine with Anna Devin as her nemesis Elizabeth I in Donizetti's Maria Stuarda, but Tom Creed's modern update fails to convince at the Gaiety Theatre, Dublin. 

Paul Curran's production of Carmen is entertaining and slick, with Paula Murrihy as a feisty heroine.

Under director Annabelle Comyn’s modern setting, we have a moving, convincing Fidelio to resonate with our current age.  

Excellent soloists, inventive sets and fine direction from Sheil and Phelan makes for an entertaining Cenerentola at the Bord Gais Energy Theatre Dublin. 

A thoroughly satisfying, entertaining production of Mozart's Die Zauberflöte from Irish National Opera. Anna Devin delivers a delightful Pamina and Nick Pritchard a convincing Tamino. 

Byrne is stunning in the title role while a strong cast of singers, orchestra, classic sets and dramatic acting make this a thoroughly enjoyable performance. 

Michael Barker-Caven sets Aida in a 21st-century war zone in the Middle-East, allowing the audience to focus on the human drama.

Tom Creed's take on Offenbach's opéra fantastique works best in the Olympia act in this new production in Dublin. 

A wonderful ful-filled caper by the Irish National Opera of Mozart's The Marriage of Figaro with Erraught as Susanna and Miskelly as Cherubino really impressing.