Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Simon Bennison

7 von 7 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: English

Manon Ogwen Parry, Gabriella Giulietta Noble, Marianne Ruel and Hannah McKay (Lucrezia) © David Monteith-Hodge

Respighi’s Lucrezia compels in Guildhall School’s double bill

Von Dominic Lowe, 03 November 2025

Pleas for more Respighi operas are answered as the students of the Guildhall School of Music and Drama give the UK premiere of Lucrezia, paired with Ethel Smyth's Der Wald.

****1

mehr

****1

London

03 Nov 2025

Respighi’s Lucrezia compels in Guildhall School’s double bill

Von Dominic Lowe

Liam Boswell in Kyle Abraham's The Weathering © Tristram Kenton

London

Encounters: The Royal Ballet at its versatile best

Von Amanda Jennings, 22 Oktober 2024

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

mehr

****1

London

22 Okt 2024

Encounters: The Royal Ballet at its versatile best

Von Amanda Jennings

Clémentine Boullé in the Hebe variation from The Awakening of Flora © ASH

London

English National Ballet School embraces the unconventional

Von Deborah Weiss, 19 Juni 2024

English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.

****1

mehr

****1

London

19 Jun 2024

English National Ballet School embraces the unconventional

Von Deborah Weiss

Melissa Hamilton as Satan and William Bracewell as Dante in Wayne McGregor's The Dante Project © Andrej Uspenski

London

The Dante Project: beautiful dancing but hard to discern a narrative

Von Deborah Weiss, 25 November 2023

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

***11

mehr

***11

London

25 Nov 2023

The Dante Project: beautiful dancing but hard to discern a narrative

Von Deborah Weiss

Mariko Sasaki and Lukas Bjørneboe Brændsrød in Valentino Zucchetti's Anemoi © Alice Pennefather

London

The Royal Ballet: Anemoi/The Cellist a well-balanced double bill

Von Graham Watts, 20 Oktober 2023

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill.

****1

mehr

****1

London

20 Okt 2023

The Royal Ballet: Anemoi/The Cellist a well-balanced double bill

Von Graham Watts

London

Hearing in colour: Kochanovsky conducts the Philharmonia in ecstatic Scriabin

Von Mark Pullinger, 11 Mai 2023

Multi-sensory music? Scriabin's Prometheus, Poem of Fire tickles the senses in an ecstatic performance under Stanislav Kochanovsky.

****1

mehr

****1

London

11 Mai 2023

Hearing in colour: Kochanovsky conducts ecstatic Scriabin

Von Mark Pullinger

London

Paradise? Hell is more fun in Wayne McGregor's Dante Project for The Royal Ballet

Von Sarah Kirkup, 14 Oktober 2021

McGregor and Adès' collaboration for The Royal Ballet is impressive, but doesn't always tug at the heartstrings.

***11

mehr

***11

London

14 Okt 2021

Paradise? Hell is more fun in Wayne McGregor's Dante Project

Von Sarah Kirkup