Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Stacey Tappan

Warmly affectionate Vaughan Williams contrasting with angular and psychologically charged Wood, followed by an emotional performance of Elgar's The Music Makers.

The world is gloriously redeemed in the gripping final installment of San Francisco Opera's Ring cycle.

Both the technical effects and the singing impress in San Francisco Opera's dark Siegfried.

At San Francisco Opera, conductor Donald Runnicles and a top-notch cast deliver a delicious Rheingold in Francesca Zambello's colorful production.

Kevin Puts effectively shapes the time-traveling structure with distinctive sound worlds as thirty dramatic vignettes unfold across a little more than an hour and a half.

After the success of Benjamin Britten’s opera The Rape of Lucretia, Britten and director/librettist Eric Crozier discussed future operatic projects. The composer wanted his next opera to be a comedy and insisted that it be set in England. When Crozier suggested adapting Guy de Maupassant’s La Rosier de Madame Husson, Britten knew he was on to something good. Indeed, it was an ideal choice.