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Last Rites: Puccini meets Stravinsky in Leeds

Von Mark Pullinger, 16. Februar 2019

A daring double bill from Opera North and Phoenix Dance Theatre pairs Jeanguy Saintus' new choreography for The Rite of Spring with a revival of Christopher Alden's production of Gianni Schicchi.

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Leeds

16. Feb. 2019

Last Rites: Puccini meets Stravinsky in Leeds

Von Mark Pullinger

West Horsley

Country-house Ball: Verdi at Grange Park Opera

Von Matthew Rye, 9. Juni 2018

Grange Park Opera’s enjoyable new production of Verdi’s Un ballo in maschera looks a little homespun on stage, but has plenty of musical compensations.

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West Horsley

9. Juni 2018

Country-house Ball: Verdi at Grange Park Opera

Von Matthew Rye

Leeds

Murder on the dance floor: an underwhelming Ballo in maschera from Opera North

Von Mark Pullinger, 3. Februar 2018

If you had received an invitation to a masked ball at which there turned out to be no masks and no dancing, it's understandable you'd feel disappointed.

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Leeds

3. Feb. 2018

Murder on the dance floor: an underwhelming Ballo

Von Mark Pullinger

London

A swallow among the peacocks: La rondine at Opera Holland Park

Von Dominic Lowe, 1. Juni 2017

A tight production from Martin Lloyd-Evans together with a strong cast and loving treatment from conductor Matthew Kofi Waldren made a strong case for more regular performances of this neglected gem.

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London

1. Juni 2017

A swallow among the peacocks

Von Dominic Lowe

London

High gothic and fairies: Massenet's Cendrillon at the Royal Academy

Von David Karlin, 18. November 2013

Over the years, I’ve generally found performances at Royal Academy Opera to be enjoyable and straightforward. This production of Cendrillon went rather beyond that.

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London

18. Nov. 2013

Massenet's Cendrillon at RAM

Von David Karlin

London

An absorbing Eugene Onegin at Royal Academy Opera

Von David Karlin, 11. März 2013

For an opera school production, it's a good idea to choose a classic: something that will focus the audience on the quality of the singers and orchestra rather than on innovation in the piece or programming.

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London

11. März 2013

An absorbing Eugene Onegin at Royal Academy Opera

Von David Karlin