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Polish National Ballet in Izadora Weiss’ Delusions (Roksana) © Ewa Krasucka

Polish National Ballet: Delusions – standing up for women’s rights

Von Graham Watts, 11. Juni 2026

Two distinctly different stories represent women's right to freedom in Delusions, Izadora Weiss’ latest full-length work for Polish National Ballet.

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Warsaw

11. Juni 2026

Polish National Ballet: Delusions – standing up for women’s rights

Von Graham Watts

Diogo de Oliveira and Marco Esposito in Anna Hop's Husband and Wife © Ewa Krasucka

Warsaw

Polish National Ballet in Fredriana: a rollicking double bill

Von Graham Watts, 15. Juni 2024

Two very popular comedy ballets to celebrate the music of Stanisław Moniuszko.

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Warsaw

15. Juni 2024

Polish National Ballet in Fredriana: a rollicking double bill

Von Graham Watts

Polish National Ballet in Anna Hop's Pinokio © Ewa Krasucka

Warsaw

Polish National Ballet: Anna Hop's Pinokio is a great achievement

Von Graham Watts, 21. April 2024

Polish National Ballet has a successful new family ballet in Anna Hop's full-length Pinokio.

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Warsaw

21. Apr. 2024

Polish National Ballet: Anna Hop's Pinokio is a great achievement

Von Graham Watts

Warsaw

A radical take on Romeo and Juliet by Krzysztof Pastor at Polish National Ballet

Von Jenifer Sarver, 16. April 2021

Prokofiev's score is reordered, the choreography is contemporary, characters are missing, and each of the three main scenes is set during a different 20th-century time period... yet, to a certain extent, it works.

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Warsaw

16. Apr. 2021

A radical take on Romeo and Juliet at Polish National Ballet

Von Jenifer Sarver

Warsaw

Mariusz Treliński turns La traviata into a tawdry travesty in Warsaw

Von Jonathan Sutherland, 7. April 2017

Mariusz Treliński's Traviata had nothing to do with Dumas, Piave or Verdi. It's as if he confused La Dame aux camélias with Lulu.

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Warsaw

7. Apr. 2017

A tawdry travesty of a Traviata in Warsaw

Von Jonathan Sutherland

Warsaw

No mercy for Ivo Van Hove’s La clemenza di Tito in Warsaw

Von Jonathan Sutherland, 16. Januar 2016

Strong musical performances, but Ivo Van Hove’s Powerpoint presentation of Clemenza at the Teatr Wielki is out of focus.

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Warsaw

16. Jan. 2016

No mercy for Ivo Van Hove’s Clemenza

Von Jonathan Sutherland