Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | The Glasshouse International Centre for Music: Sage One

Anfänge, Leichtigkeit und schwere Träume machten den tatsächlichen Konzertabend des Frühlings zu einem hellen Tag der Beflügelung und Anteilnahme.

Dame Imogen Cooper’s valedictory concerto performance was affectionately received by a near capacity audience at The Glasshouse.

Patriotic Sibelius and early Mendelssohn are served up at the Glasshouse in Gateshead. 

Nil Venditti arrives like a small, joyful bomb at The Glasshouse and lights up a familiar Mendelssohn symphony with new insights.

As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms. 

The Hallé’s Principal Conductor, Kahchun Wong, dances his way through an authoritative account of Shostakovich’s Fifth Symphony at the Glasshouse, Gateshead. 

Robin Ticciati and the LPO take a fresh look at some very familiar works by Schumann and Mahler on their visit to Gateshead. 

The BBC Philharmonic Orchestra, under former Associate Artist Ludovic Morlot, serve chilled Ravel at the Glasshouse, Gateshead. 

A Finnish soundscape, fine detail in Bartók and deep understanding in Beethoven from the Royal Northern Sinfonia with Dinis Sousa and Víkingur Ólafsson. 

Rachmaninov’s First Symphony is brought vividly to life in a new performing edition by John Wilson and the Sinfonia of London in an electrifying concert at The Glasshouse.  

French pianist David Fray with the Royal Northern Sinfonia challenges orthodoxy in blisteringly fast Bach and darkly imagined Mozart.

Brahms vs Tchaikovsky, the final showdown? Perhaps not, but a close-run contest  between a deeply thoughtful Brahms Second Piano Concerto and Tchaikovsky’s Fifth Symphony. Was there a winner? 

The Serbian-French violinist shines a penetrating light on Khachaturian’s concerto, with Alondra de la Parra conducting the Hallé in Gateshead. 

After decades as a period instrument revolutionary, the 87-year old conductor bows out with “Dr Haydn's London Academy”, an entertaining recreation of concert-going in the 1790s.

Effortless Vaughan Williams from Maria Włoszczowska, with atmospheric Musgrave and a blooming Schumann First Symphony. 

The Royal Northern Sinfonia under Duncan Ward performed works by Robert Schumann, Hector Berlioz and Louise Farrenc. 

Royal Northern Sinfonia and Lars Vogt take us on a joyful dance through central Europe in the company of Brahms, Beethoven, Mendelssohn and Dvořák.

Opening their season with an all-Russian programme, Royal Northern Sinfonia ventured beyond the standard chamber orchestra repertoire, with patchy results.

Peter Sellars' dramatised production of di Lasso's Lagrime di San Pietro is stunningly sung by the Los Angeles Master Chorale, but the dramatic element causes problems.

The Oslo Philharmonic and Vasily Petrenko with Nikolai Lugansky bring Delius, Grieg and a sublime Sibelius Fifth Symphony to Sage Gateshead.

An excellent choice of programming, with Royal Northern Sinfonia and Lars Vogt performing Handel and Brahms, but disappointing in its execution. 

The St Petersburg Philharmonic unleash all the unstoppable forces of Russian excess in a programme of Tchaikovsky and Prokofiev at Sage Gateshead.

A joyful evening of Franco-Brazilian dance music with Royal Northern Sinfonia and Jess Gillam as part of Sage Gateshead's New Year New Music 2019 festival.

A gloriously romantic performance by Lars Vogt and Royal Northern Sinfonia of Brahms' First Piano Concerto, complemented by Beethoven and Schumann.

Viktoria Mullova is dazzling in Sibelius' Violin Concerto but the audience of Sage Gateshead fail to make their mark when asked to sing along to Finlandia. 

Nevill Holt Opera and Royal Northern Sinfonia offer a sumptuous production, with gorgeous singing, but one unafraid to make us confront the uncomfortable aspects of the plot.

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

Alexandre Bloch and Royal Northern Sinfonia throw down a challenge to any listener who thinks that Brahms is comfortable and easy with a radical reading of his Fourth Symphony.

Breezy Ravel from Steven Osborne and a clear warning about the dangers of drug-taking from the BBCSSO at Sage Gateshead.

Harry Bicket leads Royal Northern Sinfonia and Chorus and a fine line-up of soloists in a performance that moves effortlessly between the human and eternal time lines of Bach's St John Passion.

Royal Northern Sinfonia’s performance of Sir James Macmillan’s St Luke Passion had moments of high drama, but one crucial element of the piece was mostly missing. 

Understated mastery in Peter Donohoe’s recital of Scriabin, Ravel, Schumann, Mozart and Schubert in Hall One Sage Gateshead.

Royal Northern Sinfonia's popular Conductor Laureate Thomas Zehetmair makes a well-received return visit to Sage Gateshead, with symphonic music ranging from an exquisite jewel by Webern through to a fizzing performance of Schubert's "Great" Ninth.

In her first appearance with the CBSO at Sage Gateshead, Mirga Gražinytė-Tyla switches between energy and tranquility with Sibelius, Brahms and Bartók.

Lars Vogt, Royal Nothern Sinfonia and Chorus and a strong quartet of soloists bring the angelic tidings of peace and goodwill in Bach’s Christmas Oratorio.

The Royal Northern Sinfonia and Olli Mustonen push Shostakovich to the brink of insanity, and suprise with Mozart's 'Coronation' Concerto.

Symphonies by Glass and Rachmaninov played by the Royal Liverpool Philharmonic Orchestra show how time doesn't always flow at the same rate.

Lars Vogt takes to the stage of Hall One at Sage Gateshead for some impromptu keyboard practice.

Nicholas McGegan leads Royal Northern Sinfonia and Samling soloists through a dramatic and thought-provoking performance of Handel's Israel in Egypt to offer an alternative look at the Easter message of hope. 

Julian Rachlin as soloist and conductor combines Beethoven's violin concerto and Third Symphony into one long story, told with great clarity by Royal Northern Sinfonia.

The St Petersburg Philharmonic make their contribution to Sage Gateshead's year long theme of dance, delighting a sold-out Hall One with their luxurious sound.

Reinhard Goebel's Messiah with Royal Northern Sinfonia had good moments but the overall performance didn't convince. 

The Royal Liverpool Philharmonic Orchestra and Vasiliy Petrenko make a guest visit to Sage Gateshead, bringing their contributions by Ravel and Rachmaninov to this year's concert theme of Dance.

Italy viewed through the eyes of a Russian tourist, of visiting Europeans reading Dante and through the eyes of South American emigrées, with added tango. 

Julian Rachlin visits Royal Northern Sinfonia as soloist and conductor, infusing Sibelius, Mozart and Tchaikovsky with a spirit of dreamy romanticism.

Lars Vogt and Royal Northern Sinfonia end their explorations of Mozart and Sibelius with the composers' final works.

With splendid singing from Chorus of Royal Nothern Sinfonia and Quay Voices; Paul McCreesh’s B Minor Mass is full of joy but lacks emotional punch.

A strangely mixed programme, in which soprano Elizabeth Watts and Kyra Humphreys directing Royal Northern Sinfonia displayed great musicanship and a tremendous range of emotion.

Being a chamber orchestra doesn't stop Royal Northern Sinfonia and guest conductor-performer Christian Lindberg from tackling Wagner and Sibelius.