| Opera North | ||
| Oliver von Dohnányi | Musikalische Leitung | |
| Annabel Arden | Regie | |
| Joanna Parker | Bühnenbild, Kostüme | |
| Peter Mumford | Licht | |
| Tim Claydon | Choreographie | |
| Chorus of Opera North | ||
| Annemarie Kremer | Sopran | Maddalena de Coigny |
| Anna Dennis | Sopran | Bersi |
| Fiona Kimm | Mezzosopran | La comtesse de Coigny, Madelon |
| Rafael Rojas | Tenor | Andrea Chénier |
| Daniel Norman | Tenor | L'Incredible, The Abbé |
| Robert Hayward | Bariton | Carlo Gérard |
| Dean Robinson | Bass | Fouquier-Tinville, Pietro Fléville |
| Jeremy Peaker | Bariton | Mathieu |
| Phillip Rhodes | Bariton | Roucher |
| Ross McInroy | Bass | Schmidt |
New production
Based (very loosely) on the life of the French poet André Chénier (1762 – 94) and set at the time of the French Revolution and the ensuing Terror, Giordano’s stirring opera has always been warmly embraced by audiences for its open-hearted emotionalism and ardent dramatic lyricism.
For many, Andrea Chénier encapsulates the very essence of Italian opera and the title role is one of the most prized in the tenor repertoire. It’s not hard to hear why when you listen to arias such as ‘Un di all’azzuro spazio’, ‘Come un bel dì di maggio’ and the closing duet for Chénier and the opera’s heroine Maddalena, whose love endures even in the face of death. In the best verismo tradition, Giordano also colours his score with tunes associated with the French Revolution, such as ‘Ça ira’ and the ‘Marseillaise’.
Annabel Arden’s new production for Opera North explores the chaos of revolution and examines the role of the artist in a time of political turmoil. Her cast includes Rafael Rojas (Chénier) and Robert Hayward (Carlo Gérard), who last squared up to each other at Opera North in The Girl of the Golden West, and Annemarie Kremer (Maddalena), who gave an unforgettable performance in the title role of Norma for the Company in 2012.
Sung in Italian with English titles
