| Sonntag 15 November 2026 | 15:00 |
| Freitag 20 November 2026 | 19:00 |
| Mozart, Wolfgang Amadeus (1756-1791) | Le nozze di Figaro (Die Hochzeit des Figaro) | Libretto von Lorenzo Da Ponte |
| Estonian National Opera | ||
| Arvo Volmer | Musikalische Leitung | |
| Kaspar Mänd | Musikalische Leitung | |
| Lauri Sirp | Musikalische Leitung | |
| Marco Gandini | Regie | |
| Andrea Tocchio | Bühnenbild | |
| Simona Morresi | Kostüme | |
| Rasmus Rembel | Licht | |
| Estonian National Opera Orchestra | ||
| Estonian National Opera Choir | ||
| Maria Rossi Franchi | Bühnenbild | |
| Marge Ehrenbusch | Choreographie | |
| Martin Trudnikov | Chorleitung | |
| Tamar Nugis | Bariton | Graf Almaviva |
| Annabel Soode | Sopran | Gräfin Almaviva |
| Raiko Raalik | Bass | Figaro |
| Kristel Pärtna | Sopran | Susanna |
| Karis Trass | Mezzosopran | Cherubino |
| Priit Volmer | Bass | Doktor Bartolo |
| Janne Ševtšenko | Sopran | Marcellina |
| Rafael Dicenta | Tenor | Don Curzio |
| Mart Laur | Bass | Antonio |
| Kadri Nirgi | Sopran | Barbarina |
“Le nozze di Figaro” was Mozart’s first collaboration with librettist Lorenzo Da Ponte. They would soon create “Don Giovanni” and “Così fan tutte”. Lorenzo Da Ponte adapted Pierre Beaumarchais’ controversial play that at the time was banned in Vienna due to its scandalous portrayal of servants outwitting their aristocratic masters. But Da Ponte focuses less on the original satire and more on the timeless issues of the comedy genre. Following its successful Viennese premiere, the opera became a major success when produced in Prague a few months later – a triumph for Mozart that led to the commission to write “Don Giovanni”.
Mozart’s score is sunny and sublime with a bubbling overture, brilliantly crafted arias and animated ensemble scenes that won the hearts of its early audiences. Encores became so numerous that after the work’s third performance the emperor allowed encores only for arias to keep the performance to a sensible length.
