Thomas, Ambroise (1811-1896) | Hamlet |
Teatro Regio di Torino | ||
Jérémie Rhorer | Musikalische Leitung | |
Jacopo Spirei | Regie | |
Gary McCann | Bühnenbild | |
Giada Masi | Kostüme | |
Fiammetta Baldiserri | Licht | |
Orchestra del Teatro Regio di Torino | ||
Coro del Teatro Regio di Torino | ||
Ulisse Trabacchin | Chorleitung | |
Ron Howell | Choreographie | |
John Osborn | Tenor | Hamlet |
Sara Blanch | Sopran | Ophelia |
Riccardo Zanellato | Bass | Claudius |
Clémentine Margaine | Mezzosopran | Gertrud |
Julien Henric | Tenor | Laërtes |
Nicolò Donini | Bass | Polonius |
Alastair Miles | Bass | Geist |
Tomislav Lavoie | Bassbariton | Horatio |
Alexander Marev | Tenor | Marcellus |
Hamlet, Prince of Denmark, discovers that his father, the King, was killed by his uncle, in a plan to marry the Queen and usurp the throne. To expose the murderer, the young Prince is compelled to sacrifice all, including the love of the faithful Ophelia.
With its lively dances, ghost scenes and touching arias, Hamlet was Ambroise Thomas’s single great success of the Paris Opera, remaining in its repertoire for decades after the 1868 premiere. On the opening night, the title role was sung by a baritone, as has become the custom ever since. With the rediscovery of the original score in recent years, it transpires that Thomas originally scored the role of Hamlet for a tenor. In this new production of Teatro Regio Torino, the tenor John Osborn is the tormented prince, singing the celebrated monologue “To be or not to be” (“Être ou ne pas être”). Sara Blanch sings Ophélie, whose pyrotechnic aria in the mad scene is a pièce de résistance for a coloratura soprano. Under the musical direction of Jérémie Rhorer, the production is directed by Jacopo Spirei.
Recorded on 01.05.2025
