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Performer: Alec Frank-Gemmill

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KuhmoLong live diversity

Kuhmo Chamber Music Festival
Gotlibovich, Messiaen, Kontogiorgos, Coleridge-Taylor
Sirkka-Liisa Kaakinen-Pilch; Yuval Gotlibovich; Adam Walker; Tuija Hakkila; Berit Cardas

StockholmChamber ­/ Cacti

© The Royal Swedish Opera / Markus Gårder
Verschiedene
Medhi Walerski; Alexander Ekman; Royal Swedish Ballet; Alec Frank-Gemmill; Royal Swedish Orchestra; Jordan Tuinman

LondonOrsino Ensemble

Wigmore Hall
Barber, Simpson, Nielsen
Orsino Ensemble; Adam Walker; Nicholas Daniel; Matthew Hunt
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Maestros in the making at the Pärnu Music Festival

Julia Kurzydlak conducts the Järvi Academy Sinfonietta © Tõiv Jõul
Haydn, Mozart and Pärt put ten young conductors through their paces in the Järvi Academy Gala.
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Britten and Clyne: astonishing verve from the SCO

A dream team of the Scottish Chamber Orchestra directed by Pekka Kussisto, with Allan Clayton and Alec Frank-Gemmill astonish with two modern icons: Clyne’s Within Her Arms and Britten’s Serenade for Tenor, Horn and Strings.

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Beethoven or bust: anniversary series launched at Wigmore Hall

Early and late Beethoven in the closing two recitals of Wigmore Hall's Beethoven Festival Weekend. 
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IMS Prussia Cove autumn tour delights at St George's Bristol

The second of five concerts in the (deep breath) Autumn 2013 International Music Seminar Prussia Cove Open Chamber Music Tour saw the musicians giving their all for a BBC Radio 3 recording at the acoustically sensitive St George’s Bristol.It’s not often that you see such an age range among musicians taking to the stage.
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Scottish Chamber Orchestra and George Benjamin celebrate Britten

This second of two SCO Britten centenary concerts saw its subject juxtaposed with two living British composers and Mozart. Cynics might consider the closing Symphony no. 40 in G minor (1788) a reward for surviving the rest of the programme’s modernity.
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Scottish Chamber Orchestra with Richard Egarr: Baroque Greats

How do you like your Baroque? Extreme – all gut strings and not a chin-rest in sight? Or mid-twentieth century – molto vibrato with saxophone obbligato? There is, of course, a half way house, and in last night’s packed Queen’s Hall in Edinburgh, the SCO steered firmly towards it, producing several agreeable surprises along the way.
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