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Performer: Andreas Mitisek

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Fallujah brings the Iraq War to the opera stage

Fallujah, a chamber opera exploring the Iraq War and post-traumatic stress disorder, makes a powerful impression in its East Coast première. 
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Bloch's long-forgotten Macbeth revived by Long Beach Opera

It takes some brashness (and perhaps just a little bit of megalomania) on the part of a composer to choose Macbeth, of all of the Bard’s plays, to set to music. As if one can ignore that in the hearts and minds of most listeners, Verdi had the first, last, and only word in musical adaptations of Shakespeare’s drama of bloody intrigue.
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Fractured legend of Camelia la Tejana jumbles reality and fiction

In an interview I had with composer Gabriela Ortíz last week, she confided that it was The Threepenny Opera – that cynical reflection of Weimar-era Germany – that was at the forefront of her mind while composing her latest opera. Comparisons to that Jazz Age work would seem to invite the expectation that Ortíz’s opera would also be suffused with its bracing fusion of “high” and “low” art.
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