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Performer: Andrew Litton


SingaporePhilippe Quint: The Red Violin

Bernstein, Corigliano, Schostakowitsch
Singapore Symphony Orchestra; Andrew Litton; Philippe Quint

La CoruñaRouse, Strauss

Rouse, Strauss
Rouse, Strauss R.
Orquesta Sinfónica de Galicia; Andrew Litton; Casey Hill

RichmondCompetition: Senior Finals

© Olivier Miche
Lalo, Mendelssohn Bartholdy, Saint-Saëns, Wieniawski
Richmond Symphony; Andrew Litton; Senior finalists of the Menuhin competition
Neue Kritikenmehr...

Nostalgic Elgar from Litton and the Singapore Symphony Orchestra

Rachel Barton Pine, Andrew Litton and the Singapore Symphony Orchestra © Singapore Symphony Orchestra
An all-Elgar affair by the SSO directed by its Principal Guest Conductor Andrew Litton was not so much a distant memory of colonialism but rather an exercise in nostalgia.

Andrew Litton’s vivid Anglo-American perspectives in Belfast

Andrew Litton © Steve J Sherman
Litton’s experienced hands reveal deep understandings of Copland, Barber and Walton, delivering a programme of stark emotional contrasts.

Jewels under pressure: New York City Ballet opens its Fall season

Maria Kowroski and Tyler Angle in Diamonds © Paul Kolnik
A sharp, well-drilled ensemble and heavenly Fauré, Stravinsky and Tchaikovsky couldn't adequately compensate for the mixed bag of principal performances and the outdated look of Balanchine's Jewels at New York City Ballet.

Order and disorder: Balanchine and Tanowitz square off at NYCB

New York City Ballet in Pam Tanowitz’s Bartók Ballet © Erin Baiano
Modern dance choreographer Pam Tanowitz' first commission for New York City Ballet proved unruly yet fascinating, sandwiched between George Balanchine's enduring Valse-Fantaisie and Western Symphony.

Barber, Broadway and Balanchine bring a buzz to New York City Ballet

Sara Mearns in Balanchine's Slaughter on Tenth Avenue © Paul Kolnik
Maria Kowroski and Tyler Angle at the top of their game in Diamonds. A smoking performance from Sara Mearns in Slaughter on 10th Avenue. Strong debuts from Emma Von Enck and Taylor Stanley and a memorable classical turn by Aaron Sanz in the Barber.