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Performer: Andrew Litton

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SingaporePhilippe Quint: The Red Violin

Bernstein, Corigliano, Schostakowitsch
Singapore Symphony Orchestra; Andrew Litton; Philippe Quint

La CoruñaRouse, Strauss

Rouse, Strauss
Rouse, Strauss R.
Orquesta Sinfónica de Galicia; Andrew Litton; Casey Hill

RichmondCompetition: Senior Finals

© Olivier Miche
Lalo, Mendelssohn Bartholdy, Saint-Saëns, Wieniawski
Richmond Symphony; Andrew Litton; Senior finalists of the Menuhin competition
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Nostalgic Elgar from Litton and the Singapore Symphony Orchestra

Rachel Barton Pine, Andrew Litton and the Singapore Symphony Orchestra © Singapore Symphony Orchestra
An all-Elgar affair by the SSO directed by its Principal Guest Conductor Andrew Litton was not so much a distant memory of colonialism but rather an exercise in nostalgia.
****1
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Andrew Litton’s vivid Anglo-American perspectives in Belfast

Andrew Litton © Steve J Sherman
Litton’s experienced hands reveal deep understandings of Copland, Barber and Walton, delivering a programme of stark emotional contrasts.
****1
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Jewels under pressure: New York City Ballet opens its Fall season

Maria Kowroski and Tyler Angle in Diamonds © Paul Kolnik
A sharp, well-drilled ensemble and heavenly Fauré, Stravinsky and Tchaikovsky couldn't adequately compensate for the mixed bag of principal performances and the outdated look of Balanchine's Jewels at New York City Ballet.
**111
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Order and disorder: Balanchine and Tanowitz square off at NYCB

New York City Ballet in Pam Tanowitz’s Bartók Ballet © Erin Baiano
Modern dance choreographer Pam Tanowitz' first commission for New York City Ballet proved unruly yet fascinating, sandwiched between George Balanchine's enduring Valse-Fantaisie and Western Symphony.
***11
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Barber, Broadway and Balanchine bring a buzz to New York City Ballet

Sara Mearns in Balanchine's Slaughter on Tenth Avenue © Paul Kolnik
Maria Kowroski and Tyler Angle at the top of their game in Diamonds. A smoking performance from Sara Mearns in Slaughter on 10th Avenue. Strong debuts from Emma Von Enck and Taylor Stanley and a memorable classical turn by Aaron Sanz in the Barber.
****1
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