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Eine noble Lucrezia Borgia beendet den Festspielsommer in Salzburg
Wie üblich beendete eine weiter konzertante Oper den Opernreigen der diesjährigen Salzburger Festspiele und in diesem Jahr war dabei Donizettis Attentäter-Drama Lucrezia Borgia zu erleben. Der Belcanto-Klassiker begeisterte mit mitreißenden Melodien und hervorragenden Solisten.
Garifullina's Musetta the highlight of Covent Garden's Bohème
This third revival of Richard Jones' production is thoroughly competent but struggles to rise above the routine.
It was all a dream: an absorbing Die tote Stadt in Munich
With an unsurpassed cast, devoted conducting and a brilliantly imaginative staging, the Bavarian State Opera's new production of Korngold's Die tote Stadt is a triumph.
Cuando la música doblega al canto: Le nozze di Figaro en Les Arts
Le nozze di Figaro se presenta en Les Arts en la producción de Emilio Sagi y bajo la dirección musical de Christopher Moulds.
A briskly conducted Bohème revived in Toronto
The COC's revival production of Puccini's La bohème is an enjoyable trip to the opera but it won't blow your socks off.
David Alden's new Maria Stuarda disappoints in Zurich
Gaetano Donizetti’s Maria Stuarda is perhaps most famous for a single and highly emotional scene in which two monarchs engage in a venomous confrontation. One is doomed to die.
