Neue Kritikenmehr...
Pastel-perfect hell: To See The Invisible
Emily Howard's new opera, an Aldeburgh Festival commission, takes an ambitiously modernist approach to a dystopian story of loneliness: a tough, but thought-provoking work.
Kát’a Kabanova compellingly staged at OHP
Problems of orchestral balance cloud Olivia Fuchs's straightforward, compelling staging of Janáček’s tirade against the rigidity and hypocrisy of small town society.
McVicar's stylish and moving Pelléas et Mélisande
Sir David McVicar’s new production of Pelléas et Mélisande for Scottish Opera is stylish and lit like a painting.