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Performer: Anne Mason

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Pastel-perfect hell: To See The Invisible

Emily Howard's new opera, an Aldeburgh Festival commission, takes an ambitiously modernist approach to a dystopian story of loneliness: a tough, but thought-provoking work. 
****1
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Kát’a Kabanova compellingly staged at OHP

Problems of orchestral balance cloud Olivia Fuchs's straightforward, compelling staging of Janáček’s tirade against the rigidity and hypocrisy of small town society.
***11
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McVicar's stylish and moving Pelléas et Mélisande

Sir David McVicar’s new production of Pelléas et Mélisande for Scottish Opera is stylish and lit like a painting. 
****1
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