Neue Kritikenmehr...
New York City Ballet comes home
To celebrate its return to the theatre after lockdown, New York City Ballet pulled out all the stops with a triple bill of Balanchine's Serenade and Symphony in C and Wheeldon's After the Rain. The house went wild.
New York City Ballet's Spring Gala: a sign of normality returning
Sofia Coppola's film closed on a note of optimism. The message seemed to be: “Normality is just around the corner. We’re coming back.”
NYCB winter season opens with Stravinsky and Balanchine
From the frivolous to the profound, New York City Ballet celebrates the galvanizing partnership of George Balanchine and Igor Stravinsky.
NYCB: New Leaders, Classic Ballets
An all-Balanchine program that is remarkably energetic and free at New York City Ballet
NYCB: All Balanchine
Judging by this show, New York City Ballet is doing fine in the aftermath of Peter Martins’s departure.
Sterling Hyltin and the Unbearable Lightness of Being
Sterling Hyltin rendered the sylph so enchantingly that I can’t imagine who could dance it better.