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New York City Ballet comes home

To celebrate its return to the theatre after lockdown, New York City Ballet pulled out all the stops with a triple bill of Balanchine's Serenade and Symphony in C and Wheeldon's After the Rain. The house went wild. 
****1
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New York City Ballet's Spring Gala: a sign of normality returning

Sofia Coppola's film closed on a note of optimism. The message seemed to be: “Normality is just around the corner. We’re coming back.” 
*****
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NYCB winter season opens with Stravinsky and Balanchine

From the frivolous to the profound, New York City Ballet celebrates the galvanizing partnership of George Balanchine and Igor Stravinsky.
****1
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NYCB: New Leaders, Classic Ballets

An all-Balanchine program that is remarkably energetic and free at New York City Ballet
*****
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NYCB: All Balanchine

Judging by this show, New York City Ballet is doing fine in the aftermath of Peter Martins’s departure.
***11
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Sterling Hyltin and the Unbearable Lightness of Being

Sterling Hyltin rendered the sylph so enchantingly that I can’t imagine who could dance it better.
****1
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