Neue Kritikenmehr...
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney
Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company.
Is Opera Australia’s Candide really the best of all possible worlds?
Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour.
Heart of darkness: Opera Australia's gothic Don Giovanni returns
Andrei Kymach and Yuri Kissin deliver standout Australian debuts in a revival of Sir David McVicar's dark, unshrinking Don Giovanni.
Pinchgut Opera brings Marc-Antoine Charpentier's Médée to Sydney
Erin Helyard and his cast bring terrifically strong musical values to Charpentier's Médée, but Justin Way's production falters.
The after party you can't miss: Pinchgut's Platée
In arguably its best production to date, theatre luminary Neil Armfield combines with Pinchgut and Erin Helyard for the first time to deliver this electrifying production of Rameau's comic masterpiece, Platée.