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An excellent new Carmen in Adelaide

First class home grown cast in Laura Hansford’s excellent production of for the State Opera of South Australia proves there's still life in this old operatic warhorse.
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen

A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney

Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company.
Is Opera Australia’s Candide really the best of all possible worlds?

Dean Bryant's production of Leonard Bernstein’s operetta leans more towards musical theatre, blending French period costumes with weak attempts at Aussie humour.
Heart of darkness: Opera Australia's gothic Don Giovanni returns

Andrei Kymach and Yuri Kissin deliver standout Australian debuts in a revival of Sir David McVicar's dark, unshrinking Don Giovanni.
Pinchgut Opera brings Marc-Antoine Charpentier's Médée to Sydney

Erin Helyard and his cast bring terrifically strong musical values to Charpentier's Médée, but Justin Way's production falters.
