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Performer: Daniela Mack

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EdinburghThe Galloping Cure

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Mazzoli: The Galloping Cure
Stuart Stratford; Tom Morris; Opera Ventures Productions; Rebecca Ringst; Christina Cunningham; Lucy Carter; The Orchestra of Scottish Opera

SeattleEl último sueño de Frida y Diego

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Frank: El último sueño de Frida y Diego (The Last Dream of Frida and Diego)
Carolyn Kuan; Seattle Opera; Daniela Mack; Alfredo Daza; Mei Gui Zhang; Jake Ingbar
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Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera

Ana María Martínez (Catrina) and ensemble © Cory Weaver
The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.
****1
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Benjamin Zander’s Verdi Requiem with the Boston Philharmonic

The Boston Philharmonic perform Verdi’s Messa da Requiem © Paul Mardy
Benjamin Zander’s meticulous preparation, compelling concept and strong casting make for a shattering experience in the Boston Philharmonic’s performance. 
*****
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Missy Mazzoli’s The Listeners takes its Chicago bow

Nicole Heaston (Claire) © Cory Weaver | Lyric Opera of Chicago
Lyric Opera of Chicago's production of Missy Mazzoli's opera, which the company co-commissioned, has strong, dramatic, expressive music throughout, but the story lacks continuity. 
**111
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Lucrezia Borgia: a dark feast in Rome

Lidia Fridman (Lucrezia Borgia) and ensemble © Fabrizio Sansoni | Teatro dell’Opera di Roma
Valentina Carrasco's contemporary staging, with impressive sets and singing, makes for a remarkable show at the Teatro dell'Opera. 
*****
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Lorca retold in Met's remarkable restaging of Golijov’s Ainadamar

Angel Blue (Margarita Xirgu) © Marty Sohl | Met Opera

Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, confronting death and loss in sharp, weary pains. 

*****
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The Greatest Story Ever Told gets a new look in the Met's El Niño

El Niño © Evan Zimmerman | Met Opera
John Adams’ Nativity oratorio is fully staged in a new production by Lileana Blain-Cruz, her first time directing at the Met. 
****1
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